Both are Italian productions or co-productions so no question for me either.
But I think there are some which were co-produced by Italians, which are doubtless no Spags for me. Especially not Chino (J. Sturges) or China 9 (M. Hellman), but I would have no problem to view 3 Bullets for a Long Gun as one, so much spagiesque is that one.
And Red Sun, the total Euro-Western, it’s in the list, but it is still not a real SW for me.
Which of course we still disagree on.
Of course …
After hard years of reshuffling and rearranging, handwringing and hairsplitting, invoking all the gods and goddesses of the Occident and Orient, pleading for illumination, I have finally managed to compile this list. As ever, San Procrastinato was of no help to me.
-
Sergio Leone, C’era una volta il West, 1968
-
Sergio Leone, Il buono, il brutto, il cattivo, 1966
-
Sergio Leone, Giù la testa, 1971
-
Sergio Leone, Per qualche dollaro in più, 1965
-
Sergio Leone, Per un pugno di dollari, 1964
-
Damiano Damiani, ¿Quién sabe?, 1966
-
Sergio Corbucci, Il grande silenzio, 1968
-
Sergio Corbucci, Django, 1966
-
Giulio Petroni, Tepepa, 1969
-
Sergio Corbucci, Il mercenario, 1968
-
Giuseppe Colizzi, Dio perdona … io no!, 1967
-
Sergio Corbucci, Navajo Joe, 1966
-
Sergio Corbucci, I crudeli, 1967
-
Sergio Corbucci, Che c’entriamo noi con la rivoluzione?, 1972
-
Sergio Corbucci, Gli specialisti, 1969
-
Sergio Corbucci, Vamos a matar, compañeros, 1970
-
Carlo Lizzani, Requiescant, 1967
-
Eugenio Martín, El precio de un hombre, 1966
-
Sergio Sollima, La resa dei conti, 1967
-
Giulio Questi, Se sei vivo spara, 1967
Ok then, after some hesitation, the 15 years of voting update.
191 lists now, one worse than the other, but all guaranteed lordoftherings-free, and when we reach the 200, it will be one of the great achievements of mankind.
Feb 21 | Jan 20 | English Title | Director | Points | ||
---|---|---|---|---|---|---|
1 | 1 | The Good, the Bad, the Ugly | * | Leone, Sergio | * | 3767 |
~ | ~ | ~ | ~ | ~ | ~ | ~ |
2 | 2 | Once Upon a Time in the West | * | Leone, Sergio | * | 3322 |
3 | 3 | For a Few Dollars More | * | Leone, Sergio | * | 3164 |
~ | ~ | ~ | ~ | ~ | ~ | ~ |
4 | 4 | The Great Silence | * | Corbucci, Sergio | * | 2507 |
5 | 5 | The Big Gundown | * | Sollima, Sergio | * | 2005 |
6 | 7 | Django | * | Corbucci, Sergio | * | 1997 |
7 | 6 | A Fistful of Dollars | * | Leone, Sergio | * | 1997 |
8 | 8 | The Mercenary | * | Corbucci, Sergio | * | 1436 |
9 | 9 | Companeros | * | Corbucci, Sergio | * | 1247 |
10 | 10 | Death Rides a Horse / Man to Man | * | Petroni, Giulio | * | 1217 |
~ | ~ | ~ | ~ | ~ | ~ | ~ |
11 | 11 | Face to Face | * | Sollima, Sergio | * | 1165 |
12 | 12 | Duck, You Sucker! | * | Leone, Sergio | * | 1130 |
13 | 13 | A Bullet for the General | * | Damiani, Damiano | * | 1107 |
14 | 14 | Day of Anger | * | Valerii, Tonino | * | 902 |
15 | 15 | Keoma | * | Castellari, Enzo G. | * | 829 |
16 | 16 | Cemetery Without Crosses | * | Hossein, Robert | * | 791 |
17 | 18 | The Return of Ringo | * | Tessari, Duccio | * | 694 |
18 | 17 | My Name is Nobody | * | Leone, Sergio/Valerii, T. | * | 678 |
19 | 19 | Django Kill…If You Live, Shoot! | * | Questi, Giulio | * | 552 |
20 | 21 | If You Meet Sartana Pray for Your Death | * | Parolini, Gianfranco | * | 405 |
~ | ~ | ~ | ~ | ~ | ~ | ~ |
21 | 20 | Run Man, Run | * | Sollima, Sergio | * | 404 |
22 | 22 | Blindman | * | Baldi, Ferdinando | * | 366 |
23 | 24 | 10,000 Dollars Blood Money | * | Girolami, Romolo | * | 335 |
24 | 23 | Sabata | * | Parolini, Gianfranco | * | 309 |
25 | 26 | Tepepa | * | Petroni, Giulio | * | 306 |
26 | 27 | Navajo Joe | * | Corbucci, Sergio | * | 292 |
27 | 25 | And God Said to Cain | * | Margheriti, Antonio | * | 291 |
28 | 28 | Mannaja / A Man Called Blade | * | Martino, Sergio | * | 283 |
29 | 29 | A Pistol for Ringo | * | Tessari, Duccio | * | 279 |
30 | 32 | God Forgives…I Don’t | * | Colizzi, Giuseppe | * | 212 |
~ | ~ | ~ | ~ | ~ | ~ | ~ |
31 | 31 | Massacre Time | * | Fulci, Lucio | * | 206 |
32 | 36 | Bandidos | * | Dallamano, Massimo | * | 205 |
33 | 30 | Light the Fuse…Sartana is Coming | * | Carnimeo, Giuliano | * | 205 |
34 | 33 | California | * | Lupo, Michele | * | 196 |
35 | 34 | Kill and Pray / Requiescant | * | Lizzani, Carlo | * | 188 |
36 | 37 | El Puro | * | Mulargia, Edoardo | * | 187 |
37 | 35 | Four of the Apocalypse | * | Fulci, Lucio | * | 175 |
38 | 40 | The Grand Duel | * | Santi, Giancarlo | * | 167 |
39 | 38 | Johnny Hamlet | * | Castellari, Enzo G. | * | 164 |
40 | 39 | Vengeance | * | Margheriti, Antonio | * | 161 |
41 | 45 | The Hellbenders | * | Corbucci, Sergio | * | 157 |
42 | 44 | The Bounty Killer | * | Martin, Eugenio | * | 146 |
43 | 42 | Matalo! | * | Canevari, Cesare | * | 141 |
44 | 46 | Django the Bastard | * | Garrone, Sergio | * | 131 |
45 | 43 | Ace High / 4 for an Ave Maria | * | Colizzi, Giuseppe | * | 130 |
46 | 50 | The Specialists | * | Corbucci, Sergio | * | 129 |
47 | 41 | The Forgotten Pistolero | * | Baldi, Ferdinando | * | 128 |
48 | 48 | Arizona Colt | * | Lupo, Michele | * | 128 |
49 | 47 | Shoot the Living and Pray for the Dead | * | Vari, Giuseppe | * | 121 |
50 | 53 | Dead Men Ride | * | Florio, Aldo | * | 118 |
~ | ~ | ~ | ~ | ~ | ~ | ~ |
51 | 54 | I Want Him Dead | * | Bianchini, Paolo | * | 114 |
52 | 49 | The Ruthless Four / Each One for His Own | * | Capitani, Giorgio | * | 113 |
53 | 51 | Death Sentence | * | Lanfranchi, Mario | * | 107 |
54 | 52 | Trinity is Still My Name | * | Barboni, Enzo | * | 107 |
55 | 56 | A Stranger in Town | * | Vanzi, Luigi | * | 104 |
56 | 64 | Johnny Yuma | * | Girolami, Romolo | * | 96 |
57 | 55 | They Call Him Cemetery | * | Carnimeo, Giuliano | * | 95 |
58 | 57 | For 100 000 Dollars per Killing | * | Fago, Giovanni | * | 90 |
59 | 59 | Duel in the Eclipse / Requiem for a Gringo | * | Merino, José Luis | * | 89 |
60 | 58 | Yankee | * | Brass, Tinto | * | 89 |
61 | 70 | I am Sartana, Your Angel of Death | * | Carnimeo, Giuliano | * | 86 |
62 | 62 | They Call Me Trinity | * | Barboni, Enzo | * | 83 |
62 | 60 | Cut Throats Nine | * | Marchent, Joaquin Luis Rom. | * | 83 |
64 | 67 | Django, Prepare a Coffin | * | Baldi, Ferdinando | * | 82 |
65 | 61 | The Moment to Kill | * | Carnimeo, Giuliano | * | 80 |
66 | 66 | Black Jack | * | Baldanello, Gianfranco | * | 78 |
67 | 63 | A Bullet for Sandoval | * | Buchs, Julio | * | 78 |
68 | 65 | Adios Sabata | * | Parolini, Gianfranco | * | 77 |
69 | 73 | Texas Adios | * | Baldi, Ferdinando | * | 75 |
70 | 68 | The Dirty Outlaws / El desperado | * | Rossetti, Franco | * | 74 |
71 | 72 | The Price of Power | * | Valerii, Tonino | * | 74 |
72 | 76 | A Minute to Pray, A Second to Die | * | Giraldi, Franco | * | 72 |
73 | 71 | No Room to Die / A Long File of Crosses | * | Garrone, Sergio | * | 72 |
74 | 69 | Have a Good Funeral, My Friend…Sartana Will Pay | * | Carnimeo, Giuliano | * | 71 |
75 | 74 | Red Sun | * | Young, Terence | * | 60 |
76 | 78 | Long Days of Vengeance | * | Vancini, Florestano | * | 59 |
77 | 75 | Today it’s Me…Tomorrow You | * | Cervi, Tonino | * | 57 |
78 | 77 | The Silent Stranger | * | Vanzi, Luigi | * | 56 |
79 | 85 | The Stranger Returns | * | Vanzi, Luigi | * | 53 |
80 | 79 | Cost of Dying / Taste of Death | * | Merolle, Sergio | * | 53 |
81 | 80 | One Silver Dollar | * | Ferroni, Giorgio | * | 51 |
82 | 81 | Taste of Violence | * | Hossein, Robert | * | 48 |
83 | 84 | Garringo | * | Marchent, Rafael Romero | * | 46 |
84 | 82 | One after Another | * | Nostro, Nick | * | 46 |
85 | 83 | Sonny and Jed | * | Corbucci, Sergio | * | 45 |
86 | 86 | Long Live Your Death | * | Tessari, Duccio | * | 44 |
87 | 87 | A Hole in the Forehead | * | Vari, Guiseppe | * | 42 |
87 | 88 | Fighting Fists of Shanghai Joe | * | Caiano, Mario | * | 42 |
89 | 92 | Shoot, Gringo…Shoot! | * | Corbucci, Bruno | * | 40 |
90 | 89 | Cowards Don’t Pray | * | Siciliano, Mario | * | 40 |
91 | 91 | Blood at Sundown / 1 000 Dollars on the Black | * | Cardone, Alberto | * | 36 |
92 | 90 | Five Man Army | * | Taylor, Don | * | 36 |
93 | 107 | A Man Called Sledge | * | Morrow, Vic | * | 34 |
94 | 94 | Night of the Serpent | * | Petroni, Giulio | * | 33 |
95 | 93 | Ben and Charlie | * | Lupo, Michele | * | 32 |
96 | 95 | The Last Killer | * | Vari, Giuseppe | * | 30 |
97 | 144 | God Does Not Pay on Saturday / Kill the Wicked | * | Boccia, Tanio | * | 30 |
98 | 97 | Boot Hill | * | Colizzi, Giuseppe | * | 29 |
98 | 96 | Minnesota Clay | * | Corbucci, Sergio | * | 29 |
100 | 98 | Revenge for Revenge | * | Colucci, Mario | * | 28 |
~ | ~ | ~ | ~ | ~ | ~ | ~ |
101 | 99 | I am Sartana, Trade Your Guns for a Coffin / A Fistful of Lead | * | Carnimeo, Giuliano | * | 27 |
102 | 102 | The Hills Run Red / A River of Dollars | * | Lizzani, Carlo | * | 27 |
103 | 100 | Silver Saddle | * | Fulci, Lucio | * | 27 |
104 | 101 | They Call Me Hallelujah / Heads I Kill You, Tails You Die | * | Carnimeo, Giuliano | * | 26 |
105 | 103 | Pistoleros | * | Caltabiano, Alfio | * | 25 |
106 | 106 | Kill Them All and Come Back Alone | * | Castellari, Enzo G. | * | 24 |
107 | 105 | Viva Cangaceiro | * | Fago, Giovanni | * | 24 |
107 | 119 | Comin’ at Ya! | * | Baldi, Ferdinando | * | 24 |
109 | 128 | A Man Called Apocalypse Joe | * | Savona, Leopoldo | * | 23 |
110 | 109 | John the Bastard | * | Crispino, Armando | * | 22 |
111 | 108 | A Genius, Two Partners and a Dupe / Nobody’s the Greatest | * | Damiani, Damiano | * | 22 |
112 | 125 | W Django | * | Mulargia, Eduardo | * | 21 |
113 | 110 | Hate for Hate | * | Paolella, Domenico | * | 21 |
114 | 112 | A Barrel Full of Dollars | * | Fidani, Demofilo | * | 20 |
115 | 113 | Dead Men Don’t Make Shadows | * | Fidani, Demofilo | * | 20 |
116 | 114 | Beyond the Law | * | Stegani Giorgio C. | * | 20 |
117 | 115 | Sartana Does Not Forgive | * | Balcazar, Alfonso | * | 19 |
117 | 116 | Apache Woman | * | Mariuzzo, Giorgio | * | 19 |
117 | 129 | Hate Is My God | * | Gora,Claudio | * | 19 |
120 | 121 | The Unholy Four / Chuck Mool | * | Barboni, Enzo | * | 18 |
121 | 122 | The Return of Sabata | * | Parolini, Gianfranco | * | 18 |
122 | 123 | Bullets Don’t Argue | * | Caiano, Mario | * | 18 |
122 | 124 | God Made Them… I Kill Them / God Forgives … His Life is Mine | * | Bianchini, Paolo | * | 18 |
124 | 120 | The Fury of Johnny Kid | * | Puccini, Gianni | * | 17 |
125 | 146 | Seven Dollars on the Red | * | Cardone, Alberto | * | 17 |
126 | 126 | A Reason to Live, A Reason to Die | * | Valerii, Tonino | * | 17 |
127 | 127 | Drummer of Vengeance | * | Gariazzo, Mario | * | 17 |
128 | 131 | Life is Tough, Eh Providence? | * | Petroni, Giulio | * | 16 |
129 | 132 | Seven Guns for the MacGregors | * | Giraldi, Franco | * | 16 |
129 | 133 | Fort Yuma Gold | * | Ferroni, Giorgio | * | 16 |
129 | 134 | Killer Caliber .32 | * | Brescia, Alfonso | * | 16 |
132 | 136 | Man, Pride, Vengeance | * | Bazzoni, Luigi | * | 15 |
133 | 138 | For the Taste of Killing | * | Valerii, Tonino | * | 14 |
134 | 142 | Death Walks in Laredo | * | Pero, Enzi | * | 13 |
135 | 145 | Trinity Sees Red / The Color of the Wind | * | Camus, Mario | * | 12 |
136 | 177 | What am I Doing in the Middle of the Revolution? | * | Corbucci, Sergio | * | 12 |
137 | 191 | Ringo and his Golden Pistol | * | Corbucci, Sergio | * | 11 |
138 | 149 | Shotgun | * | Mauri, Roberto | * | 11 |
139 | 151 | Ringo from Nebraska | * | Bava, Mario | * | 10 |
139 | 152 | The Greatest Robbery in the West | * | Lucidi, Maurizio | * | 10 |
139 | 153 | A Pistol for 100 Coffins | * | Lenzi, Umberto | * | 10 |
142 | 155 | Train for Durango | * | Caiano, Mario | * | 9 |
143 | 173 | And for a Roof a Sky Full of Stars | * | Petroni, Giulio | * | 7 |
144 | 163 | Viva Maria | * | Malle, Louis | * | 7 |
145 | 170 | Tequila Joe | * | Dell’Aquila, Vincenzo | * | 5 |
146 | 171 | Any Gun Can Play | * | Castellari, Enzo G. | * | 5 |
146 | 172 | Hate Thy Neighbour | * | Baldi, Ferdinando | * | 5 |
148 | 182 | It Can Be Done, Amigo! | * | Lucidi, Maurizio | * | 4 |
148 | 183 | The Belle Star Story | * | Wertmüller, Lina | * | 4 |
150 | 190 | The Beast | * | Costa, Mario | * | 3 |
What happened since the last update in the top 20?
Finally Run Man Run fell out (for now) of the top 20, probably for the first time since the voting started.
Apart from that FoD lost one place in favor of Django, as did My Name Is Nobody, which is now behind The Return of Ringo.
New in the top 50 is Dead Men Ride, for the first time. Quite interesting as this one did not get a single vote before 2010.
And The Ruthless Four is instead now out.
And here are the Spaggies which got only one vote:
English Title | Director | Points | ||
---|---|---|---|---|
Death Played the Flute | * | Panaccio, Angelo | * | 25 |
Law of Violence | * | Crea, Gianni | * | 21 |
Ringo: The Lone Rider | * | Marchent, Rafael Romero | * | 19 |
Red Blood, Yellow Gold | * | Cicero, Fernando | * | 19 |
Django and Sartana Are Coming… It’s the End | * | Fidani, Demofilo | * | 17 |
Killer Adios | * | Zeglio, Primo | * | 16 |
The Price of Death | * | Palli, Enzo Gicca | * | 15 |
Execution | * | Paolella, Domenico | * | 14 |
Two Crosses at Danger Pass | * | Marchent, Rafael Romero | * | 14 |
Twice a Judas | * | Cicero, Fernando | * | 14 |
No Graves on Boot Hill | * | Garrone, Sergio | * | 13 |
Gentleman Killer | * | Stegani, Giorgio | * | 12 |
El Rojo | * | Savona, Leopoldo | * | 12 |
A Few Dollars for Django | * | Castellari, Enzo G. | * | 12 |
Django Kills Softly | * | Pupillo, Massimo | * | 11 |
Return of Halleluja | * | Carnimeo, Giuliano | * | 10 |
Shango | * | Mulargia, Edoardo | * | 9 |
A Coffin for the Sheriff | * | Caiano, Mario | * | 9 |
A Bounty Killer for Trinity | * | Massaccesi, Aristide | * | 9 |
Up the MacGregors! | * | Giraldi, Franco | * | 9 |
Black Killer | * | Croccolo, Carlo | * | 9 |
A Man Called Noon | * | Collinson, Peter | * | 9 |
Garter Colt | * | Rocco, Gian Andrea | * | 8 |
Halleluja and Sartana Strike Again | * | Siciliano, Mario | * | 7 |
His Colt, Himself, His Revenge | * | Merighi, Ferdinando | * | 7 |
7 Guns from Texas | * | Marchent, Joaquin Luis Rom. | * | 7 |
Wanted | * | Ferroni, Giorgio | * | 6 |
Between God, the Devil and a Winchester | * | Girolami, Marino | * | 6 |
I’ll Sell My Skin Dearly | * | Fizzarotti, Ettore Maria | * | 6 |
Boldest Job in the West | * | De La Loma, José Antonio | * | 5 |
Revenge of the Resurrected | * | Marchent, Rafael Romero | * | 5 |
Those Dirty Dogs | * | Rosati, Giuseppe | * | 5 |
Days of Violence | * | Brescia, Alfonso | * | 5 |
Rita of the West | * | Baldi, Ferdinando | * | 5 |
Killer Kid | * | Savona, Leopoldo | * | 5 |
Take a Hard Ride | * | Margheriti, Antonio | * | 4 |
Born to Kill | * | Mollica, Antonio | * | 4 |
Cjamango | * | Mulargia, Edoardo | * | 4 |
15 Scaffolds for a Killer | * | Malasomma, Nunzio | * | 4 |
Ringo, the Face of Revenge | * | Caiano, Mario | * | 4 |
The Tramplers | * | Antonini, Alfredo | * | 4 |
May God Forgive You… But I Won’t | * | Musolino, Vincenzo | * | 3 |
Buddy Goes West | * | Lupo, Michele | * | 3 |
Sugar Colt | * | Giraldi, Franco | * | 3 |
Five Giants From Texas / Five for Revenge | * | Florio, Aldo | * | 3 |
Sabata the Killer | * | Demicheli, Tulio | * | 3 |
Fasthand Is Still My Name | * | Bianchi, Mario | * | 3 |
God’s Gun | * | Parolini, Gianfranco | * | 2 |
Sartana in the Valley of Death | * | Mauri, Roberto | * | 2 |
The Stranger and the Gunfighter | * | Margheriti, Antonio | * | 2 |
Quinto: Fighting Proud | * | Klimovsky, Léon | * | 2 |
Trinity Plus the Clown and a Guitar | * | Antel, Franz | * | 2 |
Get Mean | * | Baldi, Ferdinando | * | 1 |
More Dollars for the MacGregors | * | Merino, José Luis | * | 1 |
Vendetta at Dawn / Terrible Day of the Big Gundown | * | Garrone, Sergio | * | 1 |
A Stranger in Paso Bravo | * | Rosso, Salvatore | * | 1 |
For a Book of Dollars | * | Girolami, Renzo | * | 1 |
Don’t Touch the White Woman | * | Ferreri, Marco | * | 1 |
The White, the Yellow and the Black | * | Corbucci, Sergio | * | 1 |
This Man Can’t Die | * | Baldanello, Gianfranco | * | 1 |
Machine Gun Killers | * | Bianchini, Paolo | * | 1 |
Cheers @stanton
So, finally I need to make an adjustment to the Alternative Top 20 to allow for Run Man Run being eligible and Sartana not.
Sartana is not so tough. I can just take it off the list but leave it in the spreadsheet I work from with all its votes intact. That way, if it changes again I can reinstate it easily enough without too much disadvantage.
Run man Run is not so simple. It has never been eligible for the Alternative T20 so has no votes at all and is never likely to make up for ten years of that in terms of votes. Any suggestions?
I still think just let it as it is. Especially as it is possible that it will change more often over the next years.
Keep Run Man Run, so the alternative list still has no Sollima in it, but all Parolinis. It is then not exactly the current top 20 which is not elligible, but your list still does its alternative job very well.
Wipe the entire slate clean? Ask everyone for Alternative Top 20 Lists NOW, just collect lists from as many current contributors as possible over the next, say, 12 weeks maybe? And then publish the new alt.20 based only on those lists. It might seem unfair to strip every eligible spag of its points haul just because of Run Man Run but if those spags in the alt.20 list already are really that good, they’ll float back to the top within a few lists anyway.
Wow this is a remarkable effort, and a true milestone on mankind’s constant struggle for imroving the world. The 200th list will certainly bring even more relief to a broken world…
Hey, don’t stab me in the back …
I still think just let it as it is
Wipe the entire slate clean?
Brilliant
So, either do nothing or redo the whole thing.
To be fair, both suggestions have their merits but any middle ground ideas?
Hmm, I could cheat and change the list in favor of the Sollima …
… oops I just found one long lost list from SartanaDjango’s dead grandma in the pocket of an old coat in the cellar … and it contains … surprise, surprise … 19 Spags with Peter Lee Lawrence and Run Man Run. What a nice coincidence …
any middle ground ideas?
No! No middle ground ideas. All or nothing!
At the end of the day, Stanton’s “Do nothing” idea… well, it does nothing. Run Man Run will always be in a decade’s worth of points arrears against its contemporaries and the alt.20 list will always be skewed as a result. Clearing the decks seems extreme but it’s fair, it’s accurate and it might liven the chart up which could prove enticing to newer contributors, seeing their contributions making an immediate impact.
Tbh, I think much the same about Stanton’s official Top 20. Everything’s cast in stone because of votes from almost 15 years ago. People change, attitudes to films change, tastes change, the contributors on these boards change, films receive new/better DVD releases, new/better blu-ray releases, new 4k UHD releases., all of which changes peoples’ perceptions of this film or that. Burn it all down, says I. Start again. It’s the reboot, people!
Tbh, I think much the same about Stanton’s official Top 20. Everything’s cast in stone because of votes from almost 15 years ago.
Not really. The idea was to get a stable top 20, and this won’t change much by a new voting. We also got meanwhile a stable top 50, and I’m sure this also won’t change much by a redoing.
But actually I kicked already some years ago several older lists out, lists from ex forum members, and after we reach the 200 lists mark I will continuously kick older lists out for every new one. Lists by people who haven’t posted in the forum for a long time.
New in the top 50 is Dead Men Ride, for the first time. Quite interesting as this one did not get a single vote before 2010.
And The Ruthless Four is instead now out.
Made up DMR has finally made it into the top 50
But actually I kicked already some years ago several older lists out, lists from ex forum members, and after we reach the 200 lists mark I will continuously kick older lists out for every new one. Lists by people who haven’t posted in the forum for a long time.
Ah, good. Keeps things from going stale. All the more reason then for Phil to freshen up his chart with a good old clear-out.
Although I admire both your “all or nothing at all” sentiments I think I have to find some middle ground. Apart from anything else, Sartana and Run Man Run are so close in the Official Top 20 standings points wise that they could easily switch places again at any time with a single new list changing everything all over again.
I’m thinking, call on everyone to post a new Alt Top 20 list (especially if they now want to include Run Man Run) but change the rules slightly so that you can include anything outside the current Official Top 18. I will collect points for all those selected but only publish in the Alt Top 20 those films currently outside the Official Top 20. That way a marginal placed film can have points building up to use if it ever falls outside the Official Top 20.
No doubt this will confuse some, it already does anyway, but hopefully it will make the list future proof.