Hey, Colonel!
You may already be aware, but that double feature has changed. It will now feature two Peter Lee Lawrence films, KILLER CALIBER 32 and KILLER ADIOS, instead.
I like THE PRICE OF DEATH, but I think having the two āKillerā films together makes for a more logical double feature, in some ways.
Mostly because I canāt see the character as played by Garko to be the same one played by PLL.
[quote=ākorano, post:38, topic:206ā]Similar to Death Played the Flute then. Edited into Porno Erotic Western. I wonder what that oneās like???[/quote]Slightly off topic but has anyone got one of these ;D
Yep got that one and a few others like it 
.
[quote=āENNIOO, post:43, topic:206ā]Yep got that one and a few others like it .[/quote]Itās the only one i have like it.
What others are there?
[quote=āENNIOO, post:35, topic:206ā]Have a look at this thread:
http://www.spaghetti-western.net/forum/index.php/topic,532.0.html[/quote]nice one
If you look for the italian movie magazine NOCTURNO, issue #86 in the WWW there is an announcement on an article called āWESTERN EROTICO - IL VENDITORE DI MORTE & UN DOLLARO DI FUOCOā.
Also in some of the italian forums are some rumours about erotic and porno scenes on āIl venditore di moreāā¦
Watched the Koch DVD.
More or less an average SW which canāt decide if it wants to take itself serious or not. Itās a simple detective film with a few superfluous giallo elements. Itās also a social farce with several stupid comedy elements. And somehow itās also supposed to be western.
The solution to the crime āmysteryā is like so often predictable, as is the solution after the solution. But still the story has also in-between a few nice turns which could keep the interest of the viewer.
All in all not a complete disaster. 4/10
Compared to Shango for me the better release. I was solid entertainment whithout too many boring scenes. I only used the ff-button once, when the gold diggers had their fight, but I dislike fights in general. The nocturnal chases round the village ending in front of the shed were another weak point.
Apart from that it was OK for me.
Does nobody but me find the atmosphere to be great?
When I first saw it I noticed a lack of atmosphere.
Well, I wouldnāt call it great, but OK. At least we got a Kinski who presents a high level of his manic extravanganza.
Its mostly the music that adds the atmosphere, for me. But I also liked the night scenes.
I watched the film a few days ago, but I canāt remember the music being somehow memorable.
The music over the credits was quite good. But I think it wasnāt used again before the end credits.
Hmmā¦ I have to run the DVD once moreā¦
Database comment (Korano may not like it):
Director Palli had written the screenplay for Killer calibro 32, from which he revived the character of Silver for The Price of Death. Only now with Gianni Garko in the lead Silver comes closer to the more popular Sartana. The film tells a murder mystery (well in fact two) with the usual foreseeable solutions, intersperses a few giallo elements and garnishes it at the oddest moments with some superfluous brawls in the stupidest slapstick manner. SW fast food which surprisingly doesnāt taste too bad.
I noticed the lack of a T
Now Iām ??? Iām sure it means something, only what?
Look at the title of theis thread: Vinditore di Mor.e
With this title (without a T) the guys sell little girls (una mora = a Morish girl, a brunette, a girl with dark hair)
āOh mia bella Mora, no non mi lasciare, non mi devi rovinareā:
(Oh my beautiful brunette, no donāt leave me, donāt rob me (of my senses)
Marina - Rocco Granata
One of the greatest Italian hits of all time