Spagvemberfest 2020

Day 14 - may god forgive you, I won’t

I saw a lot of people choosing it and it was on prime so I decided on watching it. I enjoyed it way more than I expected, it isn’t great by any means but it is a well directed, gritty, action packed revenge western. The story isn’t original but to me it felt fresh and time went by really quick, this was my second Anthony Ghidra film and I can’t wait to watch more of him. The only thing that bothered me was the annoying as always Pedro Sanchez, it is really worth checking out!

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My first Sergio Garrone movie and won’t be the last. It took me by suprise and by the end I can’t believe how much I ended up enjoying this. William Berger’s Murdock carried a seven-barrelled rifle, occasionally drinks a cup of milk and also seems to have very fond of reading, Anthony Steffen’s Brandon shows up here and there and gun-down a lot of men in very over the top fashion, and the two together as bounty hunters coming face to face with ruthless town boss are awesome, but we found equally if not more interesting character in aforementioned Riccardo Garrone’s villainous Fargo, who is struggling in business as well as in love life.

Two flashbacks to Fargo’s past are beautifully shot and the movie throughout is blocked artfully. The way characters are placed in three different positions in the scene where three men meet up and Fargo (at the back of the table) trying to buy Brandon (who is in very front of the camera) and Murdock (in the middle) off with gold is not only stunning, but also good reflections of their respective characters too. The movie slow down and dragged a little bit in final 25 minutes but three men showdown that follows is well worth waiting. Great stuff.

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One Damned Day at Dawn…
Fidani! Love him or hate him - this is entertaining stuff for me!
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The Hangman’s Tree

A straight forward revenger in the Death Rides a Horse-fashion. I’m a sucker for these kind of spaghs - Shotgun, Vengeance, Cjamango Etc. Nice cinematography from Stelvio Masso and camera work from Joe D’Amato, especially the POV shots of guns and spurs! Still No English friendly official DVD of this little gem, I viewed a very nice DVD-r rip from the uncut South African VHS release.

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SPAGVEMBERFEST 2020: DAY 15

The halfway stage? Already? Gosh, it only feels like… what? Forty f#cking years! Still, I’ve made it this far and I’m treating myself tonight to modern classic anthology thriller A Fistful of Dollars (Leone, 1964), in which Clint Eastwood excels as a gangster’s moll, who dances with John Travolta so badly that she decides to end it all by stuffing a baggie of heroin up her bugle. Hilarity ensues.

I’m taking a week or so off of AFoD after today. I want to go back to it for the last week, finish strong, but this week I’m going to try something else (whilst remaining as true as I can to my remit for SpagvemberFest 2020).

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SPAGVEMBERFEST 2020

Day 14

They Call Him Cemetery (Carnimeo / 1971)

My 14th and final Garko western for this year’s Spagvemberfest and always an enjoyable one for me despite the annoying bar room brawl in the middle and a moment or two of broad slapstick that I can do without. Garko and Berger compliment each other perfectly and (brawl aside) the film strikes just the right balance for a light-hearted adventure western. A pity we never got to see another Cemetery film, there was definitely plenty more mileage to be had from the Cemetery / Duke duo but I guess the times were shifting away from westerns by 71 except for broader and broader comedies so maybe we should be thankful they didn’t attempt and spoil another.

What’s next after Garko for this Spagvember? Maybe I should watch the same Leone for 16 days on the trot? No, you’d have to be a complete nutjob to try that.

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  1. Loma: The Boldest Job in the West
    -I watched this last time during 2016 spagvember and my thoughts are still pretty much same.
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Day 15: And Then a Time for Killing

Despite a solid storyline this one didn’t quite do it for me - probably a bit too American.

Time for killing

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Day 15 has me checking out a silly, but still fun action comedy Western

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https://www.spaghetti-western.net/index.php/E_alla_fine_lo_chiamarono_Jerusalem_l'implacabile

Not Enzo G. Castellari lightheartedness by a long shot, but thankfully doesn’t seem to get too silly that it falls under the stuff that came in the wake of the Trinity films. And Keenan Wynn is always a delight to see.

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Today is full lockdown after 13:00 in my residence zone. Having plenty of time but not the required mood, I stumbled into a recent YouTube upload of The Tramplers. The Hellbenders twin brother film is definitely less interesting but it’s watchable. I might re-watch them both as a double feature in a near future. Maybe.

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Day 15 - Ramon the Mexican

Even past a hundred films in the genre you can find some truly great films, this is what I adore about this genre, this is one I have been meaning to check out for a long time but I just never felt like it and oh boy… this is a goodie!
I was wondering why the villain gets his name in the title instead of the hero and I think I get it, Robert Hundar is great whilst Jean Louis is quite forgettable, still it is a very nice exemple of the genre that is dramatic and action packed

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Luigi Vanzi’s Un dollaro tra i denti, an Italian-American co-production made in 1966, could be described as an exercise in minimalism. It seems almost impossible to reduce further its generic Spaghetti-Western plot: A mysterious stranger arrives in an all but deserted town at the border between Mexico and the United States, where he gets involved with Mexican banditos, American soldiers and a local ingénue. The shared goal of all parties is money, preferably in large amounts.

Frank Wolff plays the bandits’ führer, Gia Sandri his sadistically inclined press secretary, Jolanda Modìo the señorita in distress, and Tony Anthony is the stranger – who will return in Un uomo, un cavallo, una pistola. For Alex Cox, Un dollaro tra i denti is “entirely routine and derivative,” “stupid, rather than cruel” and “brain-dead” (p. 146, 2019 edition).

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Not sure if anyone has ever done a recap of what they’ve watched on the thread before, but I figured it’d be cool to give a brief final thought for the first 15

Day 1: Acquasanta Joe - A definite future re-watch, has its flaws, but it has a lot more to like about than to dislike, and Lincoln Tate is a little underrated in my opinion.

Day 2: Testa t’Ammazzo Croce…sei Morto…Mi Chiamano Alleluja - A lighthearted action comedy SW that deserves a once a year viewing. The comedy blends in with the action well, and doesn’t get too silly.

Day 3: Due Croci a Danger Pass - Had a cool enough story and premise, and the opening really sets up the action to come well, but its execution fell a little short in the long run. I didn’t hate this one, but I think I may need to give it a second chance later.

Day 4: Dio Perdoni la Ma Pistola - A good SW spoiled by a poor quality print. Would definitely watch it again once a company gives it the clean up and TLC it deserves.

Day 5: Sette Dollari sul Rosso - A Classic SW that has all the hallmarks of what makes the genre what it is. A well put together story with enough pathos and character that adds that extra punch of excellence.

Day 6: Una Colt in Pugno al Diavolo - A fun little gem that needs a wider audience. A must re-watch for anyone who loves the genre.

Day 7: Dio non Paga il Sabato - Another fun little gem that I believe has reached the status of Minor Classic. It almost feels like a play with the small cast, but each character is never boring, and the mystery aspect adds a good bit of flavor that keeps viewers guessing what’ll happen next.

Day 8: Joko Invoca Dio…e Muori - A fun and entertaining series of set pieces that culminates in a curious cat and mouse game finale. An SW every fan should see.

Day 9: Nato per Uccidere - A lesser, but no less entertaining, American style SW with some good shootouts and a good performance by Gordon Mitchell. Not perfect, but one to check out for something different.

Day 10: Execution - A case of a good plot and characters hampered by inconsistencies and an unnecessary final scene. Only certain sections are worth watching.

Day 11: Bandidos: A classic of the SW genre, one everybody should see, 'nuff said.

Day 12: Per un Dollaro di Gloria - Another good story line that somehow ended up turning into a turkey that even Broderick Crawford couldn’t save. Not recommend.

Day 13: Giarrettiera Colt - An underseen SW and that needs a lot more love and attention. One that every fan should seek out and see. Nicoletta Machiavelli is the greatest Anti-Heroine of the genre in the title role.

Day 14. Joe l’Implacabile - Pure fun and entertainment, a cool precursor to genre favorites Sartana and Sabata with the gadgets and suaveness. Perfect to watch at any time and to just sit back and enjoy the ride.

Day 15: E alla Fine lo Chiamarono Jerusalem l’Implacabile - a mixed bag that fans either like or don’t like. I found it interesting and entertaining enough.

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What a strange movie. Has so much American feel in it yet still is imbued with equal amount of serious Spaghetti Western sensibilities. It found perfect balance between melodramatic nature of plot and a series of relentless gun blazing actions. Story seems to be in no hurry and unfolds everything slowly, but very very engaging one nonetheless. A grown-up man fear of becoming exactly like his poor father strangely remainded me of Nuri Bilge Ceylan’s The Wild Pear Tree.

The ending caught me off guard, wasn’t expecting that, but makes sense as melancholic atmosphere has been looming over the movie from the start and in the world of A Minute to Pray, a Second to Die it seems like loves doesn’t exist, it is devoid of compassion and hopefulness. It is grim and left you helpless.

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A few of our SpagvemberFest regulars tend to recap their viewing experiences at the end of the month but there’s no hard and fast rule on recapping and you’re more than welcome to give us your “half-time analysis” as it were. :+1:

I also want statistics at the end of this one, for the newsletter :slight_smile:

SPAGVEMBERFEST 2020

Day 15

Hands of a Gunfighter (R.R. Marchent / 1965)

For the rest of Spagvemberfest I’m going to concentrate on see all (or at least most) of Craig Hill’s westerns and first up was this one which I’m pretty sure I have only ever watched the once. Very much a traditional / Spanish style western but with some nice touches and a good down beat ending which definitely adds to its charms.

Scherps’ full review pretty much reflects my thoughts on it so you can read that here.

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Day 16: God Made Them… I Kill Them

Dean Reed’s quiff shoots a few people. Next…

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  1. Salvi: 3 Bullets for Ringo
    -I had Koch’s dvd still wrapped in plastic on my shelf even though I bought this some 10 years ago or something like that. That’s a good indicator that the film ain’t good and yes, this is some awkward stuff. Film with loads of ideas thrown together in badly directed mix. Then again it has some surreal appeal in it. Remembering the film now is like remebering a dream from last night where all kinds of weird things happened and somehow they form a story even if you’re not sure what it was all about. 4/10
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It’s a weird one for sure, and Wanted Johnny Texas is just as weird and surreal - even though the action in that one is very entertaining

SPAGVEMBERFEST 2020

Day 16

My Horse… My Gun… Your Widow (Bosch / 1972)

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Saw this one for thye first time almost exactly 10 years ago so had forgotten everything about it. Turns out it is a quite reasonable “chasing the treasure” action adventure with its tongue firmly in cheek but without any unnecessary slapstick. For 1972 that’s quite an achievement really so fair play to it.
I’d also forgotten that it re-uses that terrible song from Arizona Colt Returns. You know the one. “Bing Beng Bong Bang…” And lastly, I’d also forgotten that strangely that awful song somehow fits this film better and doesn’t sound nearly as jarring as in the original.

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