TV’s Greatest Westerns

Uh-huh… Branded, 48 episodes… starring Chuck Connors as Jason McCord.

It’s gotten better with age, but at the time it ran, its foundation bordered-on silliness. McCord is a cavalry-officer who’s protecting his commanding officer’s honor by taking blame for his cowardly blundering, which led to a massacre. But the audience (me) was never convinced that the friendship was that deep. Friendship doesn’t work like that. Because the point of the series was McCord roving the West, proving he’s not a coward.

You don’t take the blame for cowardice when you didn’t have to, then try to prove you’re not a coward. :o

Anyhow, the actual episodes were usually tense, viable, and outdoors-y. Lots of them involved McCord being taunted by precocious gunslingers… who usually ended-up with a .45-slug in their bio-metabolism. The writers had to avoid having Connors wield a rifle, for obvious reasons, so it’s refreshing to see him bandying a 6-gun from a holster. There was really no direction for the series to go, though. Where The Rifleman would rank as a 9-out-of-10 for ‘greatness’, Branded is about a 7-out-of-10.

What does everybody think of HELL ON WHEELS? It moves a bit slow like molasses in winter, but I enjoy it. Looking forward to the fourth season.

I love " Hell On Wheels". I think the story and characters are terrific. The writing and acting are top notch, it can be a bit slow, but it’s worth it.

I’ve been watching a lot of HAVE GUN WILL TRAVEL on the Western show. I had forgotten about much I enjoyed this show as a child. It’s held up relatively well.

The Outcasts was always a solidly entertaining show… starring Otis Young and Don Murray as bounty-hunters. -A black guy and a white guy… who were often fistfighting and trading barbs among each-other as frequently as they did with killers-and-criminals. It only aired for one season; '68-to’69, largely because it wasn’t ‘politically correct’, I think. TV/Hollywood wanted ‘harmony’ among race-relations at the time. Not realistic situational flareups. If Young walked-into a saloon and was ‘race-baited’ into fight, Murray would usually pour a drink and watch. If Murray was goaded into a fight because he ‘rode with a black guy’, Young would usually pour a drink and watch. Then they usually fought each-other later, for not helping or whatever.

Hollywood didn’t like that.

But that’s how it really was in the 1870’s west, I think. Especially in the world of bounty-hunting. If your partner helped make you money, you stayed a ‘partnership’ as long as it was convenient.

Hollywood would soon give us what it wanted: Kung Fu… an unrealistic anti-racism crusade.

Surprised no one has mentioned the mini-series The Sacketts. It’s a 1979 adaption of two Louis L’Amour novels (The Daybreakers and Sackett) and features Sam Elliott, Tom Selleck, Jeff Ostarhage as the main characters with performances from western vets Glenn Ford and Ben Johnson as supporting characters.

You should all check out Mr. Horn with David Carradine and Richard Widmark. It’s a TV movie about the life of Tom Horn. Both Mr. Horn and Tom Horn (the film starring Steve McQueen) used the same screenplay but two separate films were made, one for TV and one for cinemas, due to some disagreements between the producers and the writer apparently. I have the original UK pre-cert VHS, as well as a Canadian DVD bootleg. It’s definitely one of my favourites.

Some new and upcomings…

1930s, not classic western

Deadwood is rumored to get a reunion movie

has anyone seen this?

I liked this one a lot

Still need to catch up on this

was this ever any good?

My wife and I watched this series together and both really enjoyed it.
If you’re an Amazon Prime member it’s available for free.

Best thing about this topic: a guest appearance by a certain Sartana Django Ballads

Always a pleasure to read some of his old posts :wink:

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I decided to pull this thread up out of the mothballs and dust it off because I wanted to write a little homage to my favorite classic TV Western The High Chaparral.

image

I ask everyone’s indulgence for the length.

Over the past few weeks, the wife and I have been making our way through the entire series. Being quite a bit younger than myself, this was her first viewing and I was both delighted and surprised by the fact that she absolutely loved it.

What I think sets this one apart from the majority of the Golden Age TV westerns was not only the fantastic set up and the memorable characters but the fact that it was an ongoing saga. Sure, like most westerns, it was primarily composed of stand alone episodes but, unlike most westerns, what happened the prior week or prior season wasn’t (for the most part) forgotten as the series carried on.

In the very beginning of the show, we see the Cannon family arriving at a run down ranch that would become known as “The High Chaparral” and from there we watch them go from struggling to just keep the ranch afloat to patriarch “Big John” Cannon (Leif Erickson) becoming a wealthy and influential man in the territory over the course of the next few seasons. This just wasn’t something seen in the typical TV western.

Spoilers ahead

Not long after arriving at the ranch, John’s wife is killed in an Indian raid. He quickly comes to the conclusion that if they have any hope of surviving that he must form an alliance with rich cattleman Don Sebastian Montoya (Frank Silvera) whose massive hacienda lies across the border in Mexico. A deal between the two is eventually brokered but only after John agrees to seal the deal by marrying Montoya’s daughter Victoria (the gorgeous Linda Cristal) who is 20 years John’s junior. As the show progresses we watch a relationship born out of necessity become one based on love and respect as John eventually puts the ghost of his wife to rest and wholeheartedly accepts Victoria as his wife. This just wasn’t a typical western plot in the late 60s.

The other characters in the show are all tremendous and includes Mark Slade as the son “Billy Blue” Cannon, a kind hearted sensitive soul that “Big John” rides rough shod over as he tries to turn him into a man. Then there is Manolito Montoya (Henry Darrow), Victoria’s brother and heir to the Montoya dynasty. Unfortunately, Manolito wants no part of what is expected of him and lives his life in the bars and brothels along the border. On any other show, he might have been a likable bad guy and, as a matter of fact, the first time John meets him, Manolito at first saves him from being killed by an Apache then promptly steals his horse. “Mano” though ends accompanying his sister to The High Chaparral.

Finally, there is Minnesota Clay himself, Cameron Mitchell, playing Big John’s brother Buck who has lived a bit of a questionable life himself. His hard drinking, hard partying, poker playing lifestyle stands in direct contrast to his brother’s stern straight forward, hard working lifestyle. In many ways, Manolito and Buck are more like brothers than Buck and John and some of the best episodes revolve around the trouble the pair get into when they head out for some hard drinking and womanizing. This just wasn’t something often done by the heroes in TV westerns of that period.

This group of diverse family members is about as dysfunctional as it gets and the house is often filled with raised voices, and some outright fights, that produces some truly humorous moments amongst all the gunfights and Apache troubles. On a personal note, when Victoria begins screaming at whoever has dared to raise her ire in Spanish, it brings a smile to my face as it reminds me of my dear late Latina aunt who would often unleash those tirades on my poor uncle.

By modern standards, there really is nothing out of the ordinary about such a well crafted story but for the period of U.S. television in which it aired, it is well outside the box and ahead of its time. And, as even my wife acknowledged, due to the subject matter of this show, it still holds up well to this day.

I could actually go on for quite some time about other characters and aspects of this show that were unique and truly stood out in that era of television but I don’t want to ramble on forever. Suffice it to say, in case anyone who has muddled through this rant can’t tell, this is hands down my favorite classic western.

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‘The High Chaparral’ , is also a great favourite for me … as a family we watched it throughout the mid 1970s and early 1980s (not sure if that’s how long it took to be screened here, or if they were repeats)
If I remember correctly, BBC2 would have this on Monday nights at 20:10 pm … and it would alternate with ‘Alias Smith & Jones’, which was also great fun, but, ‘Chaparral’ has stood the test of time much better.

PS: What about that thundering theme tune !!! … and the bad music edit between the main credits and this week’s episode - They don’t write 'em like that anymore.

:wink:

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I find it just suddenly popping into my head out of nowhere from time to time. :laughing:

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I reckon if I start humming that tune when I’ve got some mundane chore to carry out, I’ll feel much more motivated … inspired even! LoL

:wink:

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If I start humming the High Chaparral theme I have to be extremely careful to not start humming Telstar instead. :wink:

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I have the same problem with, ‘From Russia With Love’, and ‘Randall & Hopkirk (Deceased)’

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You’ve gotta be so careful what you hum these days … it’s a minefield out there!

:crazy_face:

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Yesterday I chanced upon the series “The Texan” starring Rory Calhoun who also co-produced the show. I enjoyed the first episode quite a bit. All 78 episodes can be streamed at Shout Factory TV, so I know where I’ll be heading when I’m looking for short, bite-sized Western entertainment in the near future. I hope the rest of the show can maintain the entertainment level.

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I love The Texan with Rory Calhoun as Bill Longley. Although generally a serious show, one of my favorite episodes (with guest star Alan Hale) is one when Bill gets challenged to a gunfight and kills the man. One of the laws in the town where he shot the man decrees that if a man kills another man in a gunfight, the winner must marry the dead man’s widow. It seems to work out that the widow is attractive and her two sons like Bill, calling him “Daddy.” However, it isn’t long before Bill, a restless traveler, tries humorous ways to get the widow to divorce him.

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Some of my favorite TV westerns are mostly old school, but no less entertaining. Number 7, Longmire, is a contemporary mystery series, but it takes place in the big sky country and is western. My favorites are: (not in chronological order of preference)

  1. Tales of Wells Fargo
  2. Death Valley Days
  3. The Virginian
  4. The Texan
  5. Tombstone Territory
  6. Deadwood
  7. Longmire
  8. Bat Masterson
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