The Last Movie You Watched?

[size=12pt][font=arial black]The Strange Vengeance of Rosalie[/font][/size] b Jack Starrett[/b]

Definitely a strange and weird film, but one that gives if not a pleasant view (it’s not that good for that), at least works as good curio, this if you’re a fan of forgotten films, with an edge on exploitation.
Not quite sure why it became so obscure, I’ve seen worst things made by more famous actors in the beginning of their careers and this flick is nothing to be ashamed of.
The first thing t notice is the location Tabernas Almeria, yeah I now it does give a inevitable SW look cause of the locations but only cause of that, this one its very far from a SW, and then maybe not, a revenge story an half-breed character a mean biker, well the film is pretty much claustrophobic, and is often compared to Siegel Beguiled, and Misery (made after this one), in my view it looks more like a influence in something like in the vein of Monster, but I wouldn’t be surprised if Stephen King watched this flick before he made Misery.
The film is quite simple with only three actors on it Bonnie Bedelia, Ken Howard and Anthony Zerbe, tells the story of this disturbed young woman that lures a travelling salesman to her shack, and then she hold him there (Stephen King Misery style, some say that King made a rip off from this flick such are the similarities), when a third part (Anthony Zerbe) in the form of a vicious mean biker, that already has a story with the girl, appears.
The acting is what you could expect from such a low budget flick (being a US production with an entirely US cast, it must have been really more cheaper to film in Almeria, than in the US, back in the early seventies), I always liked Bedelia (just to remind you, she’s Bruce Willis wife and ex wife in the Die Hard flicks), a lovely bird who could act, she carries the film expenses in her back with a good and effort performance in a not easy role.
Even with the normal low budget exploitation feeling, the film is not that sleazy or it isn’t sleazy at all, it works in a more cerebral way, with the director more concern with showing basic human emotions and making the film to look like some sort of ultra dramatic theatre play, maybe the main drawback is that it becomes a bit long more than 100m, all funny if you consider that the director is best known for doing low budget exploitation flicks and TV series, maybe he saw some sort of redemption here, Race with the Devil staring Peter Fonda and Warren Oates is most likely to be is most successful film.
To be honest it’s not a great film, not a hidden gem or an unseen treasure far from that, if it had been more sleazy and frenetic I guess it would had worked better, but the story had really potential, if only the director could or know to overcome his limitations. Anyway with a by now reasonable famous cast, it works wonders as a curiosity, even more if you’re a Bedelia fan.

3 stars for the curio factor mostly

Bersaglio Mobile (Moving Target) (Corbucci / 1967)

Made slap in the middle of his western period somewhere between Navajo Joe and The Hellbenders (according to imdb anyway but who knows for sure?) this is a rare outing for Corbucci in the eurospy genre featuring Ty Hardin as the anti hero thief being chased around Athens by various competing forces all seeking some microfilm hidden in a dead Bulgarian’s tooth. Standard stuff and no Corbucci classic but entertaining enough and with the odd detail which hints at Corbucci’s capabilities when he tried. Best moment is with Gordon Mitchell and a statue in the Acropolis museum.

Watched what looks like a TV rip, fullscreen but with English audio. Quality not great but watchable. Not great but I had some fun with it and of interest due to its Corbucci connection. Far from his best but equally far from his worst.

[quote=“El Topo, post:4321, topic:1923”][size=12pt][font=arial black]The Strange Vengeance of Rosalie[/font][/size] b Jack Starrett[/b]

Definitely a strange and weird film, but one that gives if not a pleasant view (it’s not that good for that), at least works as good curio, this if you’re a fan of forgotten films, with an edge on exploitation.

(…) a revenge story an half-breed character a mean biker, well the film is pretty much claustrophobic, and is often compared to Siegel Beguiled, and Misery (made after this one), in my view it looks more like a influence in something like in the vein of Monster, but I wouldn’t be surprised if Stephen King watched this flick before he made Misery.[/quote]

Starrett yes, this means it’s mean & lean, and there are bikers, or at least a biker
Race with the Devil is his best (known), but you should check out The Losers (Nam’s Angels): Hell’s Angels go to War - fun!

Anamorph. not very exciting.

A mixed bag since I last posted about the movies I’ve watched recently. I saw The Treasure of the Sierre Madre, which is is of course very good. I followed that up with The Lost Weekend which was very good also. Ray Milland’s performance is fantastic.

On a slightly more modern tip, I watched Night Moves and Hardcore, and really enjoyed both. Of the two, I slightly preferred Night Moves. However, I’m just a massive Paul Schrader fan and Hardcore is a great film.

I also saw Black Moon Rising which was pretty poor, despite a promising cast and the John Carpenter connection.

[quote=“scherpschutter, post:4323, topic:1923”]Starrett yes, this means it’s mean & lean, and there are bikers, or at least a biker
Race with the Devil is his best (known), but you should check out The Losers (Nam’s Angels): Hell’s Angels go to War - fun![/quote]

I really didn’t make a connection, i have the film and saw it somewhere in the past pretty bad beyond B movie, but it seems to be considered the first of the Vietnam movies (If you don’t count with Green berets), actually I prefer one other film from him also called Loosers again with bikers but with a more western feeling as far as I remember.

Two great films Bigsmokedown, I made a small review a few moths ago on on Night Moves great but great film should be among the bes US productions of the 70’s right there with Chinatown for instance, Hackman is just perfect in the film, it happens that I’m also a Schrader fan, last year saw at least two great films from him Blue Collar and the one one with Dafoe and Sarandon

I agree regarding Night Moves, El Topo.

The Sarandon/Defoe film you mentioned is Light Sleeper. I haven’t seen it yet, but I really want to. I’ve seen Blue Collar and that’s a good film.

Have you seen Rolling Thunder? That’s an epic movie in my opinion.

Rolling thunder is one my must watch pile, but by now I think its way below in that pile, too many films too little time.

Yes its the Light Sleeper a very good thriller, with a great athmosphere the soundtrack is perfect and Dafoe gives one of his best performances, its one of those films that you just get dragged into, that in the hands of anohter less talented director would be just another pointless thriller.

sudden death - coz for hockey, NOT j d van damme.

Lo straniero di silenzio - Tony Anthony is the master of understatement, but this movie is more for asian- than italo-freaks.

and now : I giorni dell’ira (der Tod ritt dienstags). can’t wait to get the single dvd in octobre, had to buy the kinowelt triple box …

and before my italo-monday : fear and loathing in las vegas

maybe it’s their drugs (matalo!), maybe it’s johnny depp … this cool movie has to been seen for a second or even a third time for really seeing the awesome humor.
i thing F and L in LV will be a cult movie like big lebowski or pulp fiction in a few years !

Move it to the top of your list, now. I demand it.

Rolling Thunder. Excellent film…what more can I say. Like that Devane has to do it his way.

I seem to recall reading someplace that Carpenter’s original script was nothing like the one they used for the film and that they pretty much only kept the title and John Carpenter’s name. That’s sad.

Watched Uwe Boll’s Rampage, like Tunnel Rats it’s certainly better than his video-game adaptations. But you know… he’s still not a particularly good filmmaker, he does know how to use the shaky cam gimmick better than some Hollywood directors though, coughjonathanliebesmancough! Disturbing film, I’m not sure exactly what to make of it. Also watched François Truffaut’s La nuit américaine, the kind of movie you wish wouldn’t end, loooooved it!

Speaking of John Carpenter, I recently watched They Live and Escape From LA. I couldn’t help but laugh at the 10min gratuitous fight scene in They Live. Piper’s “bubble gum” line came a bit randomly but still classic.

I thought it already was…I’ve seen it about 20 times myself 8)

Hell is a City (Guest / 1959)

Great little British crime film from Hammer starring Stanley Baker and set, for a change, in Manchester. Tense, well constructed, good script and fine performances from all concerned. If you like Noir, British Crime films and Hammer (Ilove all three) this is not to be missed.

[quote=“Phil H, post:4336, topic:1923”]Hell is a City (Guest / 1959)

Great little British crime film from Hammer starring Stanley Baker and set, for a change, in Manchester. Tense, well constructed, good script and fine performances from all concerned. If you like Noir, British Crime films and Hammer (Ilove all three) this is not to be missed.[/quote]

Great film, and I have always liked UK Noir, which is very much underrated compared to US Noir, and no really what Hammer are famous for (as I think you know judging by a post you made previously! ;)), but it is great and I wished they made more entries in the genre, though obviously the Quatermass films with Noir regular Brian Donlevy have a lot of the feel of Noir in them.

Death Walks at Midnight - One of the best Giallos i’ve seen in a while, a lot happening in this one, and very entertaining… other than some other dragged out ones i’ve seen lately like Bloodstained Shadow and Seven Deaths in a Cat’s Eye.

Probably my favorite Giallo! I’m going to watch Death Walks in High Heels and see how it measures up…

Cotton Comes To Harlem

Intricate crime-thriller, based on Chester Himes’ 1965 novel… I’d call it the original blaxploitation film. (1967’s In The Heat Of The Night, when white plantation-owner, Endicott (Larry Gates), slaps black detective, Tibbs (Sidney Poitier), and Tibbs immediately slaps-him-back, it was ‘the slap heard around the country’. The positive effect that scene had on black-audiences was huge. And white people loved it too.) Ossie Davis, probably the best black Broadway-talent at the time, basically crafted his adaptation of Himes’ book around that slap.

With ‘Coffin Ed’ Johnson and ‘Gravedigger’ Jones as seen it all New York detectives on the trail of swindled-money from a phoney ‘back to Africa’ scam. The money is hidden in a bale of cotton as Jones (Godfrey Cambridge, in perfect deadpan-form) and Johnson (Ray St. Jacques, suave but deadly) encounter an entertaining spectrum of characters, while the cotton-bale keeps changing-hands. Hot bullets, hotter women, plot-twists, urban comedy, political shenanigans, are richly abundant. Davis/Himes use biting satire against white-supremacy, black nationalism, and religious charlatanism. -They also pay-homage to the detective-film genre. Redd Foxx’s Uncle Bud-character provides a satisfying ending to the mayhem. High re-watchability factor…