The Last Movie You Watched?

Taste the Blood of Dracula (1969 / Sasdy)

Me and my daughter fancied a bit of Hammer this afternoon and this one fitted the bill nicely. One of the better Hammer Draculas in my opinion although the ending could have been a bit stronger. Good fun though with some good performances from Peter Sallis, Geoffrey Keen and John Carson as the three misbehaving pillars of the community as well as a nice over the top job from Ralph Bates. Michael Ripper gets to be the police chief in this too which was a nice change for him. My daughter said “shouldn’t he be behind a bar somewhere?”. ;D Which of course he should.

" Quatermass And The Pit" (1967) like Phil i have been watching Hammer films from my best of hammer dvd. quatermass and the pit is one of the better ones and surely Tobe Hooper saw this and got a lot of ideas for his under rated " Lifeforce". Barbara Shelley has never looked better than she does here.

[size=12pt]Riusciranno i nostri eroi a ritrovare l’amico misteriosamente scomparso in Africa?/Will Our Heroes Be Able to Find Their Friend Who Has Mysteriously Disappeared in Africa?/Um Italiano em Angola[/size] b Ettore Scola[/b]

The fact that I will be spending a lot of time in África in the following months, is by no chance strange to the fact of my will mixed with curiosity to see this film.
It ended up to be a great and nice surprises, cause only a few weeks ago I’ve notice this Scola work.
It was mostly shot in Angola while it was still a Portuguese territory, which makes it the only international film that I known about it filmed there before 74, I could be wrong but I just don’t remember any other film in that circumstances, of course from all the three Portuguese Colonial war fronts, the Angola one was the most peaceful or quiet or even better saying the less troubled one, this for several reasons and not all military ones, but that is another issue. Also about the locations the Italians ones they used the ones normally used in SW, and I think they even the Gordon Mitchell town that was being constructed at the time, I’m not 100% sure but I’m almost there, maybe I’ll put some pics of those scenes.
Talking about the film let’s not forget the most important thing, I was first surprised by the main subject itself , I didn’t live on those days of course, but my guess is that the subject (escaping or trying to, from the modern world) was not that normal or regular back in the final sixties, at least not in a one sided Hippie kind of way, so for a 1968 film it’s a very modern one, also being shot in Africa there’s not the basic Tintin syndrome, with the director never patronising the African people, of course the film is based on a European, point of view perhaps a egocentric one, but the egocentric part was wanted by the director, just to show the ambiguity of the main characters.
The story goes around a Italian business man (Sordi) that tired of his daily life, goes to Africa with the company of his book keeper (a brilliant Bernard Blier) in search of his brother in law. The story was clearly based in Conrad’s Heart of Darkness, but like if it was a comical version of that book, which makes the all thing even more brilliant, can anyone imagine Heart of Darkness as a comedy, well Scola and screenwriter Agenore Incrocci (by the way the same one who made the initial GBU screenplay, that was dismissed by Leone) did it, as a comedy is a brilliant film is fun but is serious at the same time, not that easy.
The acting is wonderful stuff Alberto Sordi is magnificent, and Bernard Blier as well (I’m a Blier family admirer), I think Sordi was in a way an underrated actor, notice Erica Blanc also in the cast, and not forget Nino Manfredi in a great supporting role.
This one is truly a hidden gem a very clever film with a great story that stood perfectly the test of time, directed in a superior way by a master behind the camera, probably the director in what Italian comedies concerns, and with great actors too.

If you have the chances watch this one it real deserves it. Don’t let the title fool you the film is everything but pretentious

I’m sort-of on a Blake Edwards tangent at-the-moment, but I haven’t seen The Party in decades. -Recently watched some Peter Gunn-episodes, The Pink Panther, and Experiment In Terror.

But my fave recent Edwards view was Murder By Contract, starring Vince Edwards (no relation) as kind of a spooky guy who just ‘decides’ to become a mob-assassin. It’s a great noir thriller, with several humorous interludes. -Great script and satisfyingly taut ending.

Watched Samurai Rebellion in the wee hours of the morning today, and found it heartbreaking. On the face of it, a samurai story, but at its heart, a film about the ruling classes, whomever they may be, treating lower classes and women as sub-human. I admit that I teared up a bit when Toshiro Mifune and Tatsuya Nakadai met at the border crossing, and again at Mifune’s speech in the closing moments.

Following that, I watched The Killing of a Chinese Bookie as I drifted off to sleep. An old favorite, heartbreaking in a different way.

Only that it wasn’t directed by Blake Edwards. But by a director named Irving Lerner.

Recorded the full-length (132 minutes) version of Blake Edwards’ THE WILD ROVERS a while ago, and watched the first 90 minutes of it yesterday, after the football games.

I only knew the 109 minutes version of it. The uncut version is said to be far superior, but I have my doubts. It basically slows an already slow-moving film further down, and makes and already longish movie even longer. Okay, some of the strong points of the movie (the first-rate performances, the elegiac atmosphere) are also emphasized, so you could say that in the end what’s good has become better, and what’s bad has become worse.

But maybe the second half will change my ideas

Cannot remember if there is more violence in the second half.

“The Devil Rides Out” a bit stilted and outdated but still an enjoyable film from Hammer with Christopher Lee on the side of good for a change. I know that Hammer have plans to remake this, and not a bad idea.

[B]Sisily 2km[/B] a.k.a To Catch A Virgin Ghost - silly, but really enjoyable. Gangsters trying to get back some diamonds run into a community of farmers who live together in a big house, but not is all that it seems.

Doctor Death.

Doctor has been living a long time as he puts his soul into different bodies. He is a very off hand sort of fellow, reminds me of the lead in Bloodsucking Freaks. Runs a bit like a T.V movie but with a bit of gore here and there.

Un detective (1969) aka Detective Belli aka Die Klette
Franco Nero plays a corrupt detective who investigates in a murder case. It’s not a very exciting movie but it offers several twists and a good cast: Adolpho Celi, Florinda Bolkan … . Directed by Romolo Guerrieri who made 10,000 Dollars for a Massacre and Johnny Yuma. 8)

Breakthrough (Cross of Iron 2)

My god this was amazingly bad, Richard Burton, Robert Mitchum and Curt Jurgens, what a cast. I actually never knew it existed but was on UK TCM the other day (not seen or noticed before). It was total crap but watched it all and was throughly entertained. Strange. Obviously does not compare or frankly have no connection to Mr Peckinpah’s original.

Was expecting good things when I viewed this, but pretty much a waste of time.

You’re right. Hmmm, I wonder what I was thinking… ? -Or drinking, when the opening credits rolled-by. Regardless, I loved the movie. Ironic that a television’s remote-control device played a key role in a late 50’s film. I didn’t think they were invented till the mid-60’s.

You Were Never Lovelier, with Fred Astaire…

As an action/cult-film fan, I like the occasional ‘society romp’ as long as it has a humorous soul and great character-actors, like Adolphe Menjou. This does. And it’s not sentimentally sappy or pristine. -With Rita Hayworth as the film’s center-diamond. She’s a Buenos Aries debuntante, whose 2 younger marriage-minded sisters can’t wed (by tradition) until older sister Rita does. She doesn’t want to get married. Astaire tries to hookup with her at a party, but she rebuffs 'im. He strikes-up a conversation with Menjou, not knowing he’s her father, and complains about her icy-ness. Menjou’s at his huffy, puffy, ragingly cagey best… as he concocts a plan to send notes-and-flowers to his own daughter (Hayworth), then pay Astaire to pretend to be the sender, in-order to marry his last 3 daughters off… Xavier Cugat plays himself, and it’s easy to see why his orchestra was one of the all-time best live shows. Astaire sails-along like bad-boy zephyr, and Hayworth in black-and-white, blows away most women in-color. I give it a high re-watchability factor.

Kalter FrĂźhling - Dominik Graf, 2003

Rewatched this made for TV film, which is one of the best films of the last decade. The total fascination.

[quote=“Neville Bartos, post:4313, topic:1923”]Breakthrough (Cross of Iron 2)

My god this was amazingly bad, Richard Burton, Robert Mitchum and Curt Jurgens, what a cast. I actually never knew it existed but was on UK TCM the other day (not seen or noticed before). It was total crap but watched it all and was throughly entertained. Strange. Obviously does not compare or frankly have no connection to Mr Peckinpah’s original.[/quote]
It’s a bad one and has nothing to do with the perfect Cross of Iron. Stransky who died in the first one suddenly appeared again the second. Famous Names (and there are a lot in this one …) but obviously not a good script and a bad director (McLaglen). :wink:

Harry Brown (2009)
A fine variation of Death Wish with the all time good Michael Caine as vigilante. Definitely a good one! :slight_smile:

In fact Stransky hasn’t died in Cross of Iron. The end is an open one.

But Breakthrough is indeed a lousy film.