If âStar Trekâ, the Original Series, kept going for three series - purely down to the fans insistence on a second and third series - then, surely, the fans of sites such as âSWMDBâ can do the same.
The Companies that produce these âSpaghetti Westernsâ (âKoch Mediaâ âExplosive Mediaâ etc), know that they are catering to a group of âSpaghettiâ afficienados.
Surely to goodness, if other âpressure groupsâ (no matter what the subject) can influence Companies, Corporations, and the Environment, then why doesnât the âSWDBâ - and all its supporters - do the same.
If âSWDBâ fans are wishing to see Classics, such as âThe Great Silenceâ released on Bluray etc.; then surely âSWDBâ has enough âinfluenceâ and âhistoryâ behind it, to influence a Production Company?
Iâm probably talking through my sombreroâŠbut - it seems to me - that âSWDBâ has enough âpullâ to, at least, put forward suggestions for future releases.
If those ideas are ignored by a Company, then fineâŠbut at least everyone on âSWDBâ is telling the Company what the consumer desiresâŠ
There must be an issue with obtaining a quality master for this one. Most SWs on blu-ray arenât exactly going to be best-sellers and still get released, yet this is one that would probably actually sell a fair few copies.
Sebastian, even Iâm not sure how to go about influencing these Production Companies, regarding the release of particular titles. It was simply an idea (perhaps a naĂŻve one), that with âSWDBâ being, in my opinion, THE âSpaghetti Westernâ site on the Internet to promote the genre, then, perhaps, the members on here - who have vastly more experience, and contact in the âSpaghettiâ genre than I - might have an idea of their own, as to how and influence âdecision makingâ regarding future releases.
Remember: the majority of the time, the big Companies are driven by âConsumer Demandâ.
As I said; Iâm not sure how to go about it. Perhaps SWDB members agreeing (via a new thread) on a particular title that they would like to see, from a particular Company. Once a popular Spaghetti title for potential future release has been reached by members, then each member could bombard the necessary Bluray/DVD Production Company with letters, e-mails etc.
At least, the consumers would be voicing their opinions in no uncertain terms.
I donât knowâŠ
One thing is for sureâŠI think an e-mail from Sebastian would be preferable to the head of a horse, from âmorganâ.
Donât get me wrong, âmorganâ, the horseâs head is a âbloodyâ good ideaâŠbut you wouldnât be able to fit it into a padded envelopeâŠ
Yeah finding a good master could definitely be an issue but also Arrow said they tried to get the rights but couldnât so donât know who does have their palms on the rights.
The whole rights question seems to be very complicated in certain cases. For example, apparently Arrow couldnât get the rights to the French audio for âCemetery without Crossesâ which is a real shame and the reason why I still havenât parted with my old DVD in favor of their new Blu-ray (one day when Iâm feeling rich I might succumb however).
I recently viewed and hopefully the next will be on blu-ray Concerning the DB; I donât recognize Silenceâs father but for me heâs not Emilio Messina. The stage driver is Antonio Danesi not Pacifico. I did not see Giovanni or Franco Ukmar but Giancarlo is an outlaw in the saloon, Sergio is a bounty killer in the opening and Clemente is one of Sanchezâs bounty killers. Bruno is maestro dâarmi but I didnât spot him. I did not see Mauro Mannatrizio, William Mayor or Fulvio Pellegrino. I do not know Lorenzo Terzon, but Lino Coletta and Virgilio Ponti are bounty killers.