Of course, a matter of taste.
All 3 in my SW top 10 also.
2 Likes
Grinders no. 23:
CAROGNE SI NASCE
https://www.spaghetti-western.net/index.php/Carogne_si_nasce
Alfonso Brescia is well know for cheap average stuff but I think this one is quite entertaining.
The story is well made for such a cheapo and the shifty characters and good scenes likes the Lynching sequence can keep your attention for 86 minutes.
Glenn Saxon is doing a good job in the lead as “dandy” character but he is definitely topped by Gordon Mitchell in one of his best Western performances as “mule” (in German dub “donkey”.) Every scene with him is a pleasure to watch.
So, for those who like also cheap SW without spanish landscapes it is worth a try.
German DVD is english friendly and with original scope image (a big improvement to my old widescreen vhs). There are no extras and picture quality is not on highest level (faded colour, scratches/defects from master) but you may enjoy the movie that way and for less than 10 Euro (Amazon de, OFDb, etc.) you do nothing wrong.
DVD is starting with the credits while VHS started with presequence and then credits after 80 seconds. The presquence follows credits on DVD.
10 Likes
Even though I love Milian, I thought Musante was better in the role too.
3 Likes
I thought Welles did a fine job as a corrupt, sleazy, slothful Federale thug that his character is supposed to represent.
2 Likes
Spagvemberfest Day 23 - Film 13: If you want to live…shoot!
I have the same review I have had for all the other C and D tier spags I’ve watched this spagvemberfest: it’s just boring. I sadly think I’ve finally reached the point where I have watched almost every Amazing and Great spaghetti and now I’m just left with the ones that are either just ‘alright’ or completely boring and forgettable. There usually just enough to keep me mildly entertained but as soon as I turn the film off they usually just wipe from my brain completely as nothing really stood out. Hopefully, there are still a few zingers that will take me by surprise sometime in the future!
5/10
10 Likes
Degueyo (1965) - Director: Giuseppe Vari - 6/10.
Though the film at first fails to rivet in virtue of the initial one-dimensionality of the yarn and the slow pacing, the storyline considerably picks up following the retrieval of the Confederate officer and steadily improves until it reaches the climax which proves to be possibly one of the best things Vari ever directed. The lead-up to the final confrontation teems with cynicism and brutality, yet Vari is prudent enough not to show too much too early, so the way the story unfolds and is eventually resolved turns out classy as well as graceful and although it does not really break any new ground, it all feels natural and genuine. There arise some issues with pacing and general editing in the middle in that some scenes are either cut too short or are intercut with those which easily could have been dispensed with in order to aid the rhythm and focus.
Therefore, certain narrative flaws do come to light sporadically, but by and large, most of these defects abate by the time the showdown comes. Lastly, Dan Vadis’s enactment of the antagonist may very well make for one of the most fearsome portrayals of a villain in the genre in that he genuinely appears deranged and utterly psychopathic in the way he disposes of people standing in his way and does so with much gusto and alacrity; thus, he does not merely go through the motions, ticking the boxes so as to meet some arbitrary criteria of what this sort of role customarily calls for, he resolutely acts out the lunacy whilst forgoing histrionic paroxysms which further enhances the realism of his interpretation. While the movie is not without its faults and is rather tedious at the beginning, it subsequently improves and becomes very interesting and engaging in its own right.
12 Likes
I am watching Kid il monello del west right now. I really don’t know if I am going to make it through.
7 Likes
LOL … if anyone can!
4 Likes
I am only fifteen minutes in and I am already tired.
3 Likes
Day 23: Blood at Sundown (Why Go On Killing?) and Blood at Sundown ($1,000 on the Black), both rewatches
Thoughts:
Took a break yesterday so today I did a double feature of the two Anthony Steffen starring spaghettis that have an alternate title of Blood at Sundown. The 1965 Mulargia pic has always been a fairly average one for me, great atmosphere but it’s cut a bit too flat and a bit too serious at the same time for me. Now, the 1966 Cardone film, hell to the yes. Love this one. Maniacal Garko gloriously eating up the low budget scenery. Just amazing, great score too. Michele Lacerenza really could trumpet.
9 Likes
Day 23. Movie 17. Django.
A rewatch of am old favorite, since today is Thanksgiving here in America. Just as good and as thoroughly entertaining as I remember. Maybe Corbucci’s finest work, maybe? And am I the only one who feels bad about Nathaniel’s fate at the end?
8 Likes
I’ve tried to watch Kid, Terror of The West twice. Last time I could endure only 5 minutes.
3 Likes
Day 23: Vengeance (a.k.a. Rocco’s Revenge) (1968) D-Antonio Margheriti. Starring Richard Harrison, Claudio Camaso, Sheyla Rozin, and Alberto Dell’ Acqua. This SpagFest I’ve been keeping an eye and ear out for movies I’ve never heard about; or did, but have not yet watched. I’ve not watched many of Richard Harrison’s movies. So, when another member posted about Harrison in this darker genre entry, I was excited to watch. Harrison is Rocco, who is out for revenge against the banditos and anyone else responsible for the deaths of his friends Richie (Dell’ Acqua) and Mendoza (Camaso) while attempting to steal a cache of gold from an old Spanish fortress. Mendoza looks like a cross between a Vodun/Santeria priest and an alchemist, who walks around with a pouch of sulphur hanging around his neck. The elephant in the room is the beginning scene, which I won’t describe here. I will only say that I would be surprised to meet someone who has no interest in watching the rest of ‘Vengeance’ after seeing the beginning scene. Rating: 4/5
10 Likes
Day 24
Preparati la bara! - The Spaghetti Western Database (spaghetti-western.net)
Yesterday I went with a story of a man out to avenge the death of his wife so I thought I might as well do it again tonight. This one began a solid little three in a row spaghetti western run for director Ferdinando Baldi (followed by Hate Thy Neighbor and The Forgotten Pistolero) and it is a bit better than the second of the three but doesn’t hold a candle to the third.
It was originally slated to be Franco Nero in the staring role but he shuffled off to the U.S. to do Camelot so Baldi got this Terence Hill fellow who he had worked with just the year prior in the spaghetti western musical The Crazy Westerners aka Little Rita to fill the role.
Our villains are portrayed by the nearly always villainous Horst Frank…
…and the sometimes villainous George Eastman.
All in all, not a bad way to ruminate after a huge Thanksgiving meal here in the U.S.
11 Likes
Spagvember Fest 2023 Day 23
Rewatch
Pistola per Ringo, Una - The Spaghetti Western Database (spaghetti-western.net)
One of my all time favorites in the SW genre and the film I start the Christmas Season with. There’s not too much more I can say other than that I kinda feel like the premiere Ringo film doesn’t get the love the sequel does; it’s a fun release, has a stellar cast, and a good story. If you’re a fan of the Bruce Willis classic Die Hard, I’m pretty sure you’d get a kick out of this film.
Giuliano Gemma’s Ringo is a sort of double edged sword for me: some viewings his smart ass personality flows just fine for me, and other viewings I’m waiting for someone to punch him in the mouth for running it so much, but it does mean Gemma was doing his job really well with portraying Ringo.
Nieves Navarro offers a stand out performance as Dolores, girlfriend to the bandit leader Sancho. She’s just a pure fine mixture of elegant femininity and toughness, able to draw and use weapons sometimes much better than her male counterparts, and also able to share tender moments with the adoring Major who wants to save her. It still guts me every viewing to see her get that knife in her back when she chooses the Major over Sancho and perplexes the hell out of me that Sancho didn’t ice the henchman who acted in haste.
Fernando Sancho’s famous laughing and joking bandito got his start in this film, and kept one of our favorites in work for quite a good number of years.
Arrow Video’s Blu Ray relese is top notch and while there are some scenes that couldn’t be as good looking as others, still look pretty dang good. I’m very curious to see what Wicked Vision does with the 4K restoration and release.
That does it for me this Spagvember Fest, amigos and amigas, now I venture head first into my favorite time of year. Hope everyone had a nice Thanksgiving who celebrated.
11 Likes
- Fulci: Massacre Time
-George Hilton really steals the show as a drunken master of the West. One of my favorites, one I like to watch quite regularly. 8/10
10 Likes
I love him in Tepepa. I can also well imagine how he must have hated plodding through the desert in the blazing sun. 
4 Likes
8: Django (1966), directed by Sergio Corbucci
After having worked with three US-American leading men – James Mitchum (Massacro al Grande Canyon, 1964), Cameron Mitchell (Minnesota Clay, 1964) and Mark Damon (Johnny Oro, 1966) – Corbucci cast an unknown Italian actor in the title role of his fourth Western: Francesco Sparanero. Together they created one of the two most iconic characters of the Spaghetti Western, who, unlike the other, is a man with a super-cool name that became emblematic of the entire subgenre.
Django is innovative, bold, loud, garish, subversive, irreverent, politically charged, technically rather sloppy, violent – and a little silly. Watched it for the umpteenth time last night, still like it. Django was released in Italy on April 6, 1966, and cinema audiences were without a doubt very pleased to see Django return to the big screen only five months later, on September 9, in the person of Anthony Steffen in Pochi dollari per Django. Or maybe not. In any case, a score of Westerns followed in Italy that either have Django in the title or whose main character is called Django. In German-speaking countries, practically every Italian Western was called Django something anyway.
I particularly liked the characters played by Loredana Nusciak and Silvana Bacci when I rewatched Django yesterday. The careers of both actresses never really took off, although they were in many, many films in the 1960s and 1970s. Bacci appeared in around twenty Westerns but unfortunately always in small supporting roles. And one of my personal favorites in Django is Ángel Álvarez – the Spanish Hans Moser (a cultural reference that will not travel well abroad from German-speaking countries).
Next: Corbucci’s Il grande silenzio (1968).
11 Likes
Day 24:
Un genio, due compari, un pollo (A Genius, Two Friends and a Chicken)
aka, ‘A Genius, Two friends and a Dupe’ (1975)
When I first watched this film years ago, I knew of it’s reputation, so I wasn’t actually disappointed with it … how bad can a film by Leone and Damiani be ?
There’s lots of info here at SWDB on the technical aspects of the film’s inconsistent look (stolen original nagative) and use of outtakes and duping scenes (copying film without a negative) giving those clips a very dark heavy contrast and bad quality colour. Plus, I’m watching a not so great DVD release by UK company Noveaux Pictures, which has a lot of interlacing /combing effects, more associated with NTSC video.
All this doesn’t help, but if it were a film with structure and a good script, those technical issues would become secondary in importance. I hate to say it, but this is a fairly lousy movie, which had potential, judging by some of the better scenes - For me the worse aspect is the dialogue … it’s god awful incessant waffling on about ‘Sweet F.A’ - I reckon if 70% of the script had been dumped, the filmmakers might have stood a chance of producing something fairly entertaining.
Special mention and not in a good way for Morricone’s soundtrack - ‘Comedy music’ in an unfunny film doesn’t work, it forces the issue and really grates when it’s obvious there’s no on screen laughs, and that Ennio, was not a man noted for his sense of humour, surely doesn’t help - The main theme reminds me of a 1960s style, off on a shopping trip to swinging London with one’s best friend, ditching their dowdy duds in favour of mini dresses and bright red plastic rain coats !!! Fab for that type of scene, but it’s pure shite for a western film.
… by way of trivia, I noticed that bad guy character ‘Jelly Roll’ (yes, that means vagina) is now listed as ‘Jacky Roll’ on both IMDB and rotten tomatoes
Patrick McGoohan dubs himself with a very odd choice of mannered accent … and his voice is also used for Klaus Kinski, Mario Brega and few other characters in the English version … and it stands out like a sore thumb.
I really wanted to like this movie, but it’s simply a long winded mess.
4/10
10 Likes
Spagvemberfest 2023
Number 18
Vengeance Trail (Squitieri / 1971)
An early start today so got to watch a proper western before starting work. Having watched Sartana in the Valley of Death earlier in the month I thought I’d complete the set of Ce la Vie releases. So next up was this one which I remembered fondly and it didn’t disappoint. A nice and bitter slice of spaghetti from a year when Trinity was king and things were mostly turning to comedy. Leonard Mann works well as the embittered young fella seeking revenge in the wrong places and Ivan Rassimov is good in one of his villainous roles despite his horrible english dubbed voice. This was just what I needed before a couple more questionable ones which will inevitably accompany my work day.
7 Likes