Mexican bandits can never get the girl using their natural charm, they always have to force or coerce her to be his lover. Maybe they should hire Will Smith in Hitch LOL.
The main antagonist always dies before he can get arrested and tried for his crimes.
Well dressed heroes are not revenge driven.
Saloon brawls that start out between two people always escalate into full scale battle royales.
If you get shot while riding a horse or while standing on top of a building, you will fall off.
If you get shot on a hill, you will roll down that hill.
[quote=“Col. Douglas Mortimer, post:6, topic:2815”]5. If you get shot while riding a horse or while standing on top of a building, you will fall off.
6. If you get shot on a hill, you will roll down that hill.[/quote]
If you are standing by a wooden bannister rail when shot it will collapse when you fall against it.
If you are in a Demofilo Fidani film the same applies but you have the option of jumping over it as you die. ;D
If our hero falls in love,she usually ends up dead by the end of the film.
When a person throws a knife/machete/sword,they do so with enough force that it sticks in to the person they throw it at.
Yeah especially when the knife lands right between the eyes! It would actually have to penetrate the hardest portion of the skull. In real life it would take a swung hatchet to do that.
[quote=“sartana1968, post:9, topic:2815”]one from me:
the protagonist always kill a big number of bandits and kill the main villain at the end of the movie[/quote]
Good one! But thats more of a convention than a cliche.
A man with no name/goes by just one name/by nickname arrives at some semi-abandoned western town, he will carry some trademark accesorie: poncho, fancy cigars, black gloves, a hidden machine gun, a tomahawk, or a deck of cards that can be used as weapon. He will probably have either a badass scar, or something else that shows us that he has been around. The town is either controlled by a wealthy sadistic hacienda/mine owner, or in the middle of a war between several factions. Our hero arrives at the local saloon, shows briefly but effectively his almost super human skills, beats up some bandito, and gets hired by the bad guys, after all the SW anti-hero will always work for the right money, but he might also have a personal vendetta against one of the bad guys. He will trick the bad guys at first, working for them or promising a large sum of gold for them. At the same time he will be making deals with another faction of bad guys, or looking out for some information about some secret weapon/stash of gold hidden somewhere.
In the process he meets either a noble yet weak bartender/old guy who might help him, or just a good looking señorita, who will obviously fall for our hero at first sight, much to his indifference. Eventually the bad guys find out about his true intentions. They torture him, beat him to a pulp and cripple him in some way that affects his skills, they will left him for dead, but he will come back, either by his own hand or with somebody’s help. The hero has to heal his wounds somehow, and recover his skills, meanwhile the odds stack against him. The final confrontation arrives and, despise being outnumber, with a combination of skill, brains and luck our hero will blast all the bad guys, and will either die in the process or just ride into the sunset, saying goodbye to the señorita, and with the vague promise that we might see him sometime in the future. Cue to badass main theme, the end.
The crooked/evil bankers, magistrates and land barons admission of guilt will be in the form of a quick close up with suspicious eyes darting left and right.