Sorry for late reply. No he doesnât tell her that she is his daughter:
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So, did you tell her?
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No. I didnât have the courage.
Sorry for late reply. No he doesnât tell her that she is his daughter:
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00:49:08,840 --> 00:49:10,280
So, did you tell her?
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00:49:11,960 --> 00:49:13,560
No. I didnât have the courage.
Thanks for clarifying.
The more I think about this one, the more I think the happy ending must be original in spite of the fact that the Corbucci who evolved from this would undoubtedly have gone with the sad ending had he been filming slightly later in his career.
SPOILERS:
The long version, where he doesnât die, where there is a strong possibility of him getting a pardon, where he doesnât tell his daughter who he is (presumably safe in the knowledge that a fine young man will marry her, and he can let go), and where he throws away his spectacles because he can manage without them, is as happy an ending as we are going to get. This is Corbucciâs ending. In his earlier films he tried to emulate the American Western, which he loved, and only later did he become more - what shall we say: inventive?
The shorter version, where Clay dies, was imposed by the American distributor who, ironically, hated the happy American ending.
For Il Grande Silenzio, Corbucci shot a very similar ending where the hero ends up being shot to pieces by the bad guy. But he also shot a happy ending where Frank Wolff resurrected himself and rode in to rescue the hero. Perhaps what had been done to Minnesota Clay influenced Corbucciâs downbeat version.
Interestingly, although Trintignant plays the hero as a mute, the trailer clearly includes a shot of him talking. One wonders at what point they decided he wasnât going to speak at all, rather than just being taciturn.
Is this knowing, or is it a guess?
For me the directing of the last scene in the shorter version with the camera pulling back, indicates that this was the intended ending.
The longer version ending feels wrong after that, but the last shot with Clay shooting his spectacles is as asininely overdone as is the false ending of TGS. Or Sam fullerâs directing of the last scene of 40 Guns.
Producers demanded the happy ending so Corbucci shot such a nonsensical and bad stuff that it would never be used (although it was apparently used in North Africa).
I believe that the shot of Silence talking is taken from some backstage material or maybe unused âjoke stuffâ for alternative ending.
This is knowing.
If I was speculating, I would have said, âMy guess isâŚâ.
It may have been reported in an issue of the William Connolly publication Spaghetti Cinema, where Minnesota Clay was discussed at length.
The link for his website where you can discuss the matter is here:
http://home.earthlink.net/~scinema/
Or maybe I read it elsewhere. I do read a lot.
Anyway, you can clearly see that the pull back shot in the US version ends on a freeze whilst it goes on for a little longer in the Italian version, before mixing to the next scene.
Good directors donât do a pull back with the intention of freezing. They pull back, hold wide, and then fade-out. Freezing is how you stop a movie when the shot isnât long enough.
Hi All, I just watched this movie at the weekend - I was wondering what happened in the end - in my version (US?) he looks like he is dying in the street, reveals who he is to his daughter and then the extra scene switches from English so I did not know exactly what was said.
The soldiers took off, then Clay - with spectacles - rides off and leaves his brother/daughter, then throws the spectacles in the air and shoots them.
From the earlier comments I guess he is a free man and is wondering off for some reason - to find himself?
Iâve been eyeing this one on the shelf for a rewatch in the last few days, and I guess I need to now because I canât really remember much specifically about that scene, or the entire film, other than really liking it. All of Corbucciâs films seem to keep popping up for me right now, perhaps I should have a Corbuccithon.
I did notice in the DB recently that there is a blu ray release - anyone seen it?
You can read the whole stupid dialogues of this ending above in post # 196.
Iâm still sure that is not the ending Corbucci wanted.
Why so sure? This was my conclusion above:
The more I think about this one, the more I think the happy ending must be original in spite of the fact that the Corbucci who evolved from this would undoubtedly have gone with the sad ending had he been filming slightly later in his career.
I need to look through all my Corbucci interviews to see if he ever talks about this. I donât remember ever coming across anything in the past.
Iâve never been able to figure out which of the two was the one he wanted either. One person who was involved in the making of the movie, told one of my Italian acquaintances that she didnât remember (she actually didnât remember the movie quite well). I like both endings, yes the happy one as well (especially that final scene: the glasses with the two bullet holes in front of the camera)
Yeh - itâs a great shot and Corbucci clearly put some effort into it.
Looks really good!
First, cause the directing looks like heâs supposed to be dead.
Same in I crudeli. Iâm sure that everyone was supposed to die, but I assume that the real ending is then missing.
Second, cause the happy ending is as ridiculous as the one from TGS. Sure the last shot is beautiful, but on the other hand the shoot out in the false TGS ending is also a well directed action scene, at least not a sloppy one.
Third, why should the film be released in other countries with an unhappy ending, if there is a happy one? Distributors and producers generally prefer happy endings.
I gotta agree with @stanton on this one
Although a great shot, this only means Corbucci was a capable director, not that he wanted this ending
But of course, weâll never know
I donât think the question is so much what Corbucci wanted but rather what was the intended ending whether it was imposed by the producer on Corbucci or not.
Actually it is the question being discussed
And since its Corbucciâs film, what he wanted is really what matters as for the intended ending⌠if the producer forced an alternate ending, then thatâs not really the intended one is it?
You need to read some of the posts higher up about an apparent abruptness created by the camera not pulling out as much as might be expected