Horror Films

But now I actually love the sequel, captures the mood of the first film perfectly

I agree with you there chuck’s brother- although not as grand a scale, it definitely succeeded in capturing the same mood as Demons and that’s one of the reasons I liked it.

Thanks for the info on the Arrow steelbook, ugly, although I gotta disagree about the films not being so great :wink:

Got a copy of Curse of Chucky, will see if I can get to it tonight and compare thoughts with scherp’s review. Kinda overloaded myself with horror titles to watch in the last couple of weeks.

Last night’s viewing:

Frankenhooker 1990 - Frank Henenlotter

What a blast… watched it with the girlfriend and we both loved it. Exploitation comedy horror at its finest, Henenlotter really knows how to make 'em. Looking forward to Brain Damage and Bad Biology, as well as the Basket Case sequels once my blu ray order arrives.

Amusing to see David Lipman as Frankenhooker’s first and very enthusiastic trick. He’s the pervert senator from Exterminator (and many other similar bit parts):

Bride of Chucky 1998

Not as good as I’d remembered. An entertaining viewing, but its no match for following up Frankenhooker. A lot of the jokes & gags were too obvious for me, so didn’t really get much amusement from them. Still some funny stuff like “Voodoo For Dummies” :smiley: Not a fan of the silly kills, like the airbag nail explosion and champagne bottle mirror death… it just seems like lazy nonsense to me. The film is handled well and looks good, some really great looking scenes like when Chucky gets loose from his cage in the beginning and is coming through the curtain.

Fright Night 2 1988


Decent but not great sequel. Features the same lead actors and although a different director, much of the same style in the use of color and creating a similar atmosphere to the first film. If you like Fright Night, then you can probably enjoy watching part 2 but its a weaker film all around. Still plenty of decently thought out scenes and sequences, and the effects are not bad at all.

Well, I just finished watching Frankenstein’s Army, and man, what a film! I haven’t read any other reviews, so I don’t know what the critics think, but this is really good. Music is badass and the characters are cool, a nice motley bunch of Russians. The atmosphere is nicely done, not heart pounding monster attacks all the time or never-ending suspense. Humorous moments as well, though it’s really dark, like “Well that was fucking pointless.” (If you’ve seen the movie you’ll get it). The special effects and the sewn together monsters were done really well, and the creativity in the design of the machine-men themselves took an ingenious mind. It goes by pretty fast, I think it’s only an hour and a half long, but it’s a really good ride.

Watched Curse of Chucky last night, and I really liked it. I think scherp’s rating of a 6- is fair, but I’d probably go with a solid 7+. I haven’t seen Seed of Chucky, Mancini’s only other film credited as director, but I was very impressed with how he handled Curse and he certainly seems to know how to shoot a solid horror film. I can’t remember if its been done in the previous films, but the scenes with Chucky’s eyes dilating were a great touch. The film looks beautiful in HD. A fair few scenes of very graphic gore, and since a lot of the film is spent building up to the slashing, they have a bit of extra oomphf when they happen. I loved the whole ending sequences and Tilly’s scene is an excellent bit of creativity in tying things together. I felt like this was a really refreshing entry in this series of films and my hat’s off to Don Mancini on this one.

Now I must add that what I watched prior may have colored my perspective…


Zombies The Beginning - Bruno Mattei (2007)

Mattei’s second film which totally copies Aliens (the first being Shocking Dark / Terminator 2). This is basically Aliens with zombies, and an incredibly low production quality. All the budget seems to be not surprisingly used for gore effects, which are actually not that bad. There are obvious short comings in the make up and set designs, but it all works sufficiently well and still looks pretty strange and creepy. Several scenes from Crimson Tide are used since there’s no budget for submarine shots, and these even include the actors with new voice overs dubbed onto the clips. I’m sure the buildings exploding at the end are from another film also, but don’t know what film. Its easy to spot when Mattei’s ripping off these clips, because the film print doesn’t match the video at all. I mistakenly watched this before Mattei’s 2006 film, Island of Death, which comes before this one. Silly me, I thought that if its Zombies The Beginning, then it must be part 1.

I’ve also recently viewed The Tomb, which is a 2004 film from Mattei. Mattei is stealing the plot from The Mummy (1999) in this one, uses footage from Army of Darkness, and recreates the striptease scene out of From Dusk Till Dawn. Again, we have low-low production values, even more-so than with Zombies The Beginning. The text graphics for the title/credits are highscool-audio-vido-club level, which is baffling considering that this was made in a time when very easy for amateurs to do decent looking text in video.

The shot-on-video look of these movies makes it really hard to appreciate anything they do have going for them, although at times it felt like I was watching an old episode of Dr. Who, particularly with The Tomb. They’re pretty bad and in the category of films that make me wonder exactly what I’m doing with myself when I just need to watch them. Even having said that, they aren’t void of enjoyment, provided you’re of the type that can find enjoyment in films like this. Of Mattei’s last efforts, I still have to watch Cannibal World (2003) and Island of the Living Dead (2006).


Bad Biology - Frank Henenlotter (2008)

Wow, another impressive outing from Henenlotter. In a time when there’s quite a few filmmakers putting out exploitation-inspired films which are fun to watch but lack anything in the way of real originality or boundary-exploring, Henenlotter has put together a true piece of artful exploitation here. Bad Biology is extremely funny, both on a low-brow level as well as in the very intelligent subtext running throughout the film. There’s plenty to be offended by and a good helping of Henenlotter’s specific style of strange horror. The film is apparently funded by rappers and their involvement is at first a bit obnoxious (would have preferred a different soundtrack) but Henenlotter manages to use their roles in a way that takes advantage of their mannerisms and adds some quirky humor in the way of delivery. I really hope this isn’t the last seen from Frank Henenlotter, I can’t think of any modern filmmaker doing this kind of thing without compromise. James Glickenhaus also makes a pretty humorous appearance in the film.

And lastly, also watched Freddy vs. Jason - I had a slight inkling that I may be able to enjoy this time but still expected ultimately to not like it much. To my surprise, I mostly enjoyed the entire viewing and my opinion of the film has now raised from “hated it” to “kinda like it”. Ronny Yu certainly knows how to make a film look good and has done a good job here. The one exception I’d make to that statement is the usage of the choppy slow-motion effect which always looks horrible in any film.

[url]http://imageshack.us/photo/my-images/837/tws5.jpg/[/url] [size=12pt]Jurassic park[/size] [size=12pt]III[/size]

The first one was a family movie (nothing wrong with that, of course), the second one had a little more bite, and this third one is a fullblood horror movie (there’s even a scream queen), nasty and mean, so it wasn’t a bad choice for All Hallows’ Eve.

Jeff Goldblum is out (a pity), but Sam Neill is back, and he’s lured (under a false pretext and with a dishonered cheque) by a couple to that bloody island where the dinosaurs still rule the earth, the waves and even the sky (there are pterodactyls too); the couple is looking for their son, who went paragliding and landed on the island.

Nothing new under the sun, but Joe Johnston (taking over from Spielberg) keeps up the pace and his movie is helped by a short running-time and truly incredible special effects. Maybe there are a few crisis situations too many, but some of them are excellent, such as the sequence in the bird cage. Main problem are the one-dimensional characters, with Tea Leone a particular pain in the ass as the scream queen.

Nevertheless, a nice surprise, better than expected:

7-

I must give it a watch, I’ve only seen the first two.

Cry Of The Banshee, 1970… priceless Vincent Price set-piece. He’s a 17th-Century English magistrate trying to solve the mystery of a murderous dog-creature while banishing witchcraft-practices from his principality. But his raving snarkitude causes the two forces to league against him. Price is exquisite in every scene, enhancing the otherwise mediocre script. I’d forgotten how eerie the ending was. -A film worth viewing. The titles are by Terry Gilliam.

yeah, the third one is pretty good - watched all three movies a year ago, and didn’t like the second one that much …

Randomly caught Jurassic Park 3 on TV some years ago and remember thinking it was much better than I expected. Will have to give it another look. Haven’t seen any of those films in a long time

@yeah, the third one is pretty good

I concur!

[quote=“scherpschutter, post:724, topic:405”][url]http://imageshack.us/photo/my-images/837/tws5.jpg/[/url] [size=12pt]Jurassic park[/size] [size=12pt]III[/size]

The first one was a family movie (nothing wrong with that, of course), the second one had a little more bite, and this third one is a fullblood horror movie (there’s even a scream queen), nasty and mean, so it wasn’t a bad choice for All Hallows’ Eve.

Jeff Goldblum is out (a pity), but Sam Neill is back, and he’s lured (under a false pretext and with a dishonered cheque) by a couple to that bloody island where the dinosaurs still rule the earth, the waves and even the sky (there are pterodactyls too); the couple is looking for their son, who went paragliding and landed on the island.

Nothing new under the sun, but Joe Johnston (taking over from Spielberg) keeps up the pace and his movie is helped by a short running-time and truly incredible special effects. Maybe there are a few crisis situations too many, but some of them are excellent, such as the sequence in the bird cage. Main problem are the one-dimensional characters, with Tea Leone a particular pain in the ass as the scream queen.

Nevertheless, a nice surprise, better than expected:

7-[/quote]

I thought the third one wasn’t bad at all…except that Tea Leone ruined the feel of it for me. IMO, you should want to root for the protagonists, but I kept wishing she’d get ‘got’.

I thought the third one wasn't bad at all...except that Tea Leone ruined the feel of it for me.

So far nobody said it was bad, Filmlover 1. I think you misread some posts …

And yes, those dinosaurs should’ve devoured Tea

Well, if we’re all in agreement that Téa Leoni needs to be devoured and the dinosaurs didn’t get the job done, I’ll volunteer myself. I’d gladly devour her.

I remember the Téa from Bad Boys, a bad girl for sure, with great legs.

So far nobody said it was bad, Filmlover 1. I think you misread some posts ...

Not sure where Filmlovr1 is from, but here in the states we say variations of “Not bad at all” when agreeing that it is good.

On a somewhat related note, the other day I was pondering why no one ever refers to something they like as their cup of tea - as in, “That’s my cup of tea” - its always in the negative, “That’s not my cup of tea”

Not sure where Filmlovr1 is from, but here in the states we say variations of "Not bad at all" when agreeing that it is good.

I might have misinterpreted his post. I am familiar with this use of ‘not bad at all’, by the way. These kind of understatements exist in every language, but they seem to be particularly popular in English, and I think they’re even more popular in British English than in American English. I remember an interview with an British actor (I think it was Richard Briers) who had worked on both sides of the ocean and made a couple of remarks about this.

Cup of tea: yes, it’s always in the negative. In French too: c’est pas ma tasse de thé. I’ve never heard anybody saying that his thing was ‘sa tasse de thé’.

Always use these understatements alot myself, but then again I am British :slight_smile: .

Always use these understatements alot myself, but then again I am British :) .

I would never have guessed … but then again, I’m a Dutchman

Greetings.

I’m from and in the States, but my writing style may be a bit odd. Just my way, I suppose. My meaning was that it was pretty good.

I did live abroad for nearly a decade up until 20 years ago, but I doubt that has anything to do with it. :slight_smile:

[size=12pt]The Lost World: Jurassic Park [/size]

The sequel to Jurassic Park. Jeff Goldblum returns as doctor Ian Malcolm, the mathematician; a book about Isla Nubla has destroyed his career as an academic and when he’s told by John Hammond, the brain behind the disaster from the first movie, that there’s a second dinosaur island, Isla Sorna, and asked to lead an expedition to it, the answers is no. No, no, no. But then he’s told that his fiancée, an over-enthusiastic, even reckless paleontologist, is already on the island. To make things worse, his daughter goes on board as a stowaway: it’s all in the family on dinosaur island.

The script is a bit of a hodgepodge, with a story that’s all over the island, but it offers a few good thrills and this sequel is well-cast. Goldblum plays it tongue-in-cheek, Julienne Moore is not too irritating as the paleontologist and Pete Postlethwaite is great as a big game hunter who wants to shoot a T. Rex. There’s at least one breathtaking sequence with the crew fighting for their lives when the trailer is pushed over a cliff by the dinosaurs defending their territory.

For about 90 minutes this is a nice pudding of a dinosaur movie, but Spielberg then comes up with thirty extra minutes in which the worst of King Kong, Godzilla and Spielberg himself is combined. We get a T. Rex running through the streets of San Diego, some inexplicably unconvincing model work (was this done on purpose?) and a few stupid jokes such as a kid waking up his parents in the middle of the night, telling them that there’s a dinosaur in their backyard. Skip the last thirty minutes, enjoy the first ninety.

6+

The Vampire Lovers - I enjoyed it but not as much as when I last saw it, the transfer on the Blu looks pretty decent.