Nice artwork!
ā¦ but seriously, very exited to know this exists.
sentence to death 
Colonel Sanders Milian, still the most memorable part of this film for me.
I thought that tape has Italian audio. Didnāt realise it was in English!
I donāt know for sure, but donāt all Dutch tapes have English audio?
Yes I think it must have English audio. I will keep an eye out for the tape here in The Netherlands. Hopefully it will pop up.
Iām just wondering, it seems possible to create English audio with the actors voices with AI. Isnāt that a good solution? Or maybe itās to difficult to get the approval to create this. I donāt know.
Youād need lots of voice samples for each of the actors, and then acquire the rights to do that.
Iād be happy with english subs from the italian audio tbh
āDeath Sentenceā opened in the UK at the Gaumont, Liverpool (12th Sept 1971 - 18th Sept 1971 and retained for second week) in an X-rated programme with āThe Awful Story of the Nun of Monzaā. It had wide distribution through to May/June 72 followed by a few random shows in 1974/75. The last advertised screening was at Palace Cinema, Hayle (16th Feb 75 - 18th Feb 75) in another incongruous double bill, this time with the sexploitation film āExposedā aka āExponeradā.
Anne Heywood and Hardy KrĆ¼ger co-star in this much-edited and almost incomprehensible Italian made āTHE NUN OF MONZAā which is backed by āDEATH SENTENCEā. A spaghetti western involving Richard Conte. Itās a double X-certificate programme with dubbed English dialogue. (The Bolton News, 30th October 1971)
Source below: (Evening Sentinel, 28th October, 1971)
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Credit page has been addedā¦
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In answer to earlier questions, as noted two posts above by the Bolton News an English language version was released in the UK so there must be an English dub somewhere.
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Commercially it wouldnāt make sense for a UK distributor to release a western with subtitles. It wasnāt released in the U.S. but it was mentioned in passing by one criticā¦
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Drives me mad that so much old movie stuff was never sufficiently preserved for future generations
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One of the problems here is that a lot of ultra rare films are in the hands of private collectors, who in many cases have no idea that their collections may contain āTreasureā that some of us would love to see, or at least be utilized for their soundtrack.
There is a culture of āhoardingā which does slow this process ā¦ but look at the recent discovery of old Dr Who episodes, which many fans never thought they would see.
Almost everything cinematic turns up eventually
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