In my opinion this one is slightly better than Quel maledetto giorno dāinverno/One Damned Day at Dawn and the two Sartana with Jeff Cameron, but inferior to Inginocchiati straniero i cadaveri non fanno ombra/Dead Men Donāt Make Shadows (in which curiously appears⦠una bara piena di dollari/a coffin full of dollars).
As of this writing, this film is offered in its English dub by Comcast/Xfinity On Demand (US cable service). Crisp fullscreen print, 81 minutes. It is part of the Movieplex On Demand package.
Love this Fidani, certainly one of his best. Iāve had the Koch dvd for a long time but see someone has done up the English fandub already⦠looking forward to rewatching as its been years and I remember really enjoying it.
Decent cast could have been used a lot better in this one. The plot was one of the most basic I have come across. On a positive note it was a lot better than the other couple of Fidani films I have seen which are Djangos cut price corpses and Django and Sartanas showdown in the West ( the worst spaghetti ).
Itās good!
But as Brother Jonathan said āinferior to⦠Dead Men Donāt Make Shadowsā which remains my favorite.
I thoroughly enjoyed this, but hoped that more wouldāve been made of the pocket watch though. But, hey, itās a Fidani - so goofy ending and lots of shooty stuff at the end. It could be called A Town Full of Barrels - Iāve never seen so many - all shapes* and sizes.
Decided to give this one a shot tonight. Well, itās definitely one of Fidaniās best efforts if not the best one. Yes, the sets look incredibly cheap and the movie has that derelict, ugly look that typifies this kind of productions, but at the same time, itās incredibly entertaining most of the time.
Even if One Damned Day at Dawn was shot also by Joe dāAmato, this flick here has a slightly more impressive camerawork, Iām not exactly sure why, but the photography here does have a tad more polished feel to it. With regard to the direction, I found practically all of it enjoyable: regardless of whether action occurring on the screen is staged in an asinine fashion or not, it all remains remarkably gratifying in an endearing way. The slow-mo flashback featuring Kinski as well as one shootout were shot quite well, other than that most of the content leans towards ludicrousness.
Nevertheless, the thing that really brings the film to life is the fairly swift storytelling which ensures that the flick progresses at a very steady pace, so there arenāt any superfluous recesses that could potentially infuse the pic with tedium. Needless to say, Kinski is amazing here and whenever he appears in front of camera, he oozes with charisma and is one of filmās indispensable assets, Gordon Mitchell is pretty good too though. I like Goriās score, I even like the title song even if the singer sounds like someone is shoving a large stick up his ass while heās singing.
Overall, if youāre looking for an entertaining cheapo, itās really hard to go wrong with this one. Probably my favorite Fidaniās effort so far. 5/10
Carty didnāt get back in touch about the release, so Iām going to assume heās cancelled it along with Requiem for a Gringo. Such a shame since I love this film.
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