The Seven from Texas / Antes llega la muerte (Joaquín Luis Romero Marchent, 1964)

[Mickey13]

Copied from the Spagvemberfest 2024 thread:

@Mickey13

Despite having been fashioned after its contemporary American counterparts, Marchent’s oater turns out intriguing just the same by reason of its extensive characterization and generally sound writing all around. Film’s biggest strength undoubtedly dwells in the fact that all characters are endued with their own personal quirks and idiosyncrasies which entails that all of them prove quite memorable and three-dimensional. Regardless of whether one speaks of the gunslinging ex-convict, the vengeful man seeking revenge upon the former for his brother’s untimely demise, the Chinese comic relief character or the troublemaker acted by Sancho, they all feel meaningfully developed here; suffice to say, the whole yarn is properly fleshed out and makes for an immersive viewing experience even if it is of the decidedly corny, old-fashioned kind. Narration’s multifaceted nature is further bolstered by adequate focus and dexterity wherewith Marchent weaves both of the predominant narrative strands: one of them deals with Hundar’s quest for justice, whereas the other portrays husband’s endeavor to secure treatment for his ill wife who has an operable brain tumor. Though tale’s focus initially seems somewhat diffuse and faltering, it all subsequently improves the moment both of the primary plotlines converge, ultimately adding up to one gripping storyline.