I’ve watched tons of stuff since I last updated this topic with my viewing habits. I hardly know where to begin, but I should probably post an update now rather than keep leaving it.
Over the last couple of weeks I’ve waded through A Better Tomorrow I, II and III. The first of the series is probably the best, although I love the ending of the second. The third is maligned too much, but it has to be admitted that it’s the weakest of the lot.
What makes me laugh about these films is that with the first film Chow Yun Fat’s character totally steals the show, and the other two films are elaborate attempts to bring him back from the dead for more crazy gunfights. In the second film, Tsui Hark resorts to a spurious twin brother plot device which is completely brazen. By the third film, it’s all about Mark and the main characters from the earlier installments do not even feature.
Anyway, I’ve also been watching a fair few film noirs, including White Heat, The Lady From Shanghai, Gilda and the brilliant Gun Crazy. Gun Crazy I hadn’t seen before and was completely blown away by. A mesmorising film.
I saw George Romero’s Knightriders, which really surprised me. Very different type of film to what Romero is known for, and I thought in the end it was powerful and memorable. There are some fantastic performances from Ed Harris and Tom Savini, and a welcome role for Patricia Perlman, whom I have the hots for. It does go on a bit too long, in my opinion, but Knightriders is a solid film and unfairly overlooked.
Sticking to the 1980s, I’ve also watched Gymkata and Born American, which were pretty poor. Gymkata in particular was just one long convoluted mess which served only to set up unfeasible scenes in which star Kurt Thomas could show off his gymnastic prowess. Funny, in a sad kind of way.
Another poor film from the era which I’ve seen was Of Unknown Origin, starring Peter Weller. Basically he spends the entire movie battling a quite large rat. It doesn’t make for the most convincing type of horror, to be honest.
As well as the lousy, I have watched some genuinely brilliant films from the 1980s, including My Science Project and Monster Squad. They were absolutely fantastic, and gave me a warm glow after viewing.
I also saw Hot Pursuit for the first time, although I was sort of reluctant to watch it after reading that it’s not John Cusack’s best. I absolutely loved it and it’s now one of my favourites from his early films.
More in the middle of the road is Eye of the Tiger, which was fun but nothing amazing. It has a stellar cast, though, and there were some worthy scenes.
I saw Woo-ping Yuen’s True Legend, which was a bit disappointing. It starts so brilliantly and at one stage I thought I was going to be in for a real treat, like maybe one of the best martial arts films I’ve ever seen. Unfortunately, though, the structure of the film is all messed up, as there’s a natural ending about two thirds of the way through, then it ends with what feels like a decent middle. Hard to explain, but the film was a massive let down. Still, there’s some absolutely spectacular fight choreography which makes the film easily bearable.
I also saw Legend Of The Fist: The Return Of Chen Zhen, which was just disappointing pretty much from the outset. The fights are nothing special, it’s all been done before and better. A shame, because I like watching Donnie Yen most of the time.
I’m a huge fan of Tobe Hooper and I put on Eaten Alive the other night. It’s not his best film, let down by the fake crocodile and lack of plot. Still, worth checking out if you like any of his other stuff at all.
I’m getting to the end of the list now. I watched a Hammer film called Straight On Till Morning, which was a bit too clever for it’s own good. It’s an unusual film for Hammer as it’s more psychological horror than anything else. I didn’t mind it, but it was trying too hard and in the end I felt like I’d rather just watch Christopher Lee hamming it up as Dracula or something.
Finally, I watched the first part of Mesrine, titled Killer Instinct. It was extremely stylish and cool. I’ve always liked Vincent Cassel, ever since I first saw him in the superb La Haine, and he turns in an extremely accomplished performance. I’m sure this film will find plenty of fans on this board.