7 dollari sul rosso
Finalmente!
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7 dollari sul rosso
Finalmente!
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Bravo, @aldo
Your turn again.
Thank you, Montero … if someone else wishes to take a turn, feel free. If not I’ll post something later.
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Just a wild guess …
‘Tex and the Lords of the Deep’ ?
Roy Colt and Winchester Jack
Deadlock (1970) ?
That’s the one, Aldo. Nice work!
Thank you, Winston
… from a director who had lots of big hits in the early to mid 1960s … then his career ‘cooled off’ considerably.
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Bingo!
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…over to you, Toscano.
‘Her Man Gilbey’ aka, ‘English Without Tears’ (1944)
Correct, Aldo, and very well done, amigo. I didn’t think anyone would get it that quickly. ![]()
1944
Over to you… ![]()
Thanks, T … I recognised Michael Wilding and lovely Lilli Palmer, et voila!
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Here’s an early 1970s action flick with a well known Morricone theme tune - Light hearted and exciting, with some of the very best stunt car driving ever seen on film.
PS: There’s a line of dialogue that originated here, and was ‘Borrowed’ by Quentin Tarantino in ‘Pulp Fiction’ (female taxi driver scene) Unless you know this movie well, it wouldn’t mean a thing to you or 99% of that film’s audience.
The Burglars aka Le casse?
The Burglars / Le Casse (The Break-in or ‘The Heist’) is correct.
Starring Jean-Paul Belmondo and Omar Sharif.
The ‘borrowed’ dialogue used in ‘Pulp Fiction’ …
When ‘Butch’ (Bruce Willis) doesn’t ‘throw’ the boxing match as agreed, with gangster, ‘Marsellus Wallace’ … ‘Butch’ leaves the stadium quickly, and finds a taxi parked in the alley - The beautiful lady driver introduces herself as ‘Esmarelda’, which means emerald, and happens to be what is stolen in the film ‘Le Casse’ / The Burglars … a bit thin I hear you say? Well, the dialogue between ‘Esmarelda’ and ‘Butch’ is a rip off /homage to the scene when JP Belmondo, tells pursuing policeman Omar Sharif, that his name, ‘Azad’, in certain countries means ‘Freedom’ … Sharif’s sneering response is that his name is ‘Zacharia’, which means nothing at all. The similarities in the scenes are too significant to be coincidence.
Back to you, Montero
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