The Great Silence / Il grande silenzio (Sergio Corbucci, 1968)

You lucky buggers!

I would love to have seen it on the big screen.

By the way, congrats Seb, for having the courage to do the introduction. It’s not easy.

Did you have any pre-intro nerves?

What was the audience reaction to the film like?

How did the experience compare to watching on a TV? Any thoughts?

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Thanks. It is the second time I have done it at that festival (the other was last year for Death Rides a Horse), and I am still trying to find my groove. I wasn’t nervous but I went in between attempting to do it free style and reading off my notes. In the end I did a hybrid of both, but I would much rather just do free style storytelling.
The audience was very friendly, dug my jokes and then clearly also liked the movie. I have to say, even though it was the 2016 restoration that is the basis for all the BluRays as well, seeing it huge like that was a whole different story. The stuff you see and notice, it’s no comparison. Size does matter :slight_smile:

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Brilliant.
Very well done, Seb. You are a credit to the ā€˜SWDB’.

Albeit unpaid, that is my job :smiley:

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The new German UHD edition is out now
https://www.spaghetti-western.net/index.php/Grande_silenzio,_Il/BluRay#Germany

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I watched The Great Silence for the first time last night…There may be spoilers ahead in this post and I must say that I enjoyed reading the 600+ posts this thread had to offer. Some great insight dating back so many years.

Preface - I have put off watching The Great Silence for so long due to the fact that when I originally got into westerns at a young age, one of, if not the first that I watched was The Searchers, which remains my favourite of all time and since then, no other classic western has hit that top 10/10 marker, which has always disappointed me a little. For sure, there are plenty of 8 and 9/10 films out there, but no 10/10 like The Searchers. I feared (due to The Great Silence having such a great reputation) that the same would happen here.

Also, it may be slightly frowned upon here but a day or two ago I managed to stumble across an unbelievable version of the flick on YouTube which looked beautiful on my 55 inch TV, so I couldn’t pass up the chance to watch it before potentially it got taken down. Anyway, I’m rambling…

-

I’m still letting the film sink in as I watched it 12 hours ago, but I think The Great Silence was a 10/10 SW and has catapulted to the top of my favourite SW list, jumping above Django (although it’s been a few years since I watched Django so I may give that a rewatch). The main thing I was in awe of was the fact that the film was just a level above everything else I’ve watched in this genre when it comes to filmmaking. The camera shots, the acting, the story and its depth (I enjoyed the story greatly, I dislike convoluted stories and this didn’t seem that), the cinematography, everything really. The soundtrack was also great but it would be unfair to include that in the ā€œlevel aboveā€ as many SW’s have epic soundtracks.

Other little snippets of uniqueness that helped it were, of course, the winter setting, as well as the casting of McGee.

Just winding back to the story, I read one poster above complain about the weak story - I disagree there. I think the story is solid without causing too much confusion. I also thought the ā€œbleakā€ ending fit perfectly. However, if there was a hole to pick, I’d say maybe the bandits deserved more time and backstory - another poster mentioned ā€œbut I would like to actually care for those bandits in the mountains but I did notā€ and I think this almost sums up my thoughts. The Sheriff could also have been slightly less comedic, but I don’t think it hurt the film too much.

Also I’m not the biggest Klaus Kinski fan on the planet and the majority of SW’s I’ve seen with him, he doesn’t really get too much screentime, but I think this performance of his was ahead of its time and he wow’d me from start to finish, although I’m not sure how much credit the guy dubbing him deserves too, as I don’t think that was Klaus’ voice.

I also really enjoyed the saloon scene where Silence and Loco locked horns and Silence was trying to provoke Loco into drawing his gun.

It was just a fantastic movie and I think I could write another page on it but I will stop here.

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Agreed it’s an amazing film. The only things that hold it back for me are (like you say) I never found the sheriff that funny even though he was supposed to be a bit of comic relief. I’m also not a lover of Corbucci’s shaky cam in this one…I think it works in his other films but here I’ve always felt it he’d have been better filming everything in a more typical fashion. In one of the flashback scenes it gets a bit too much I’ve always felt.

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I understand your point, Bill.
However, it could be that way simply because it was freezing while they were filming parts of the film… :wink:

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Please feel free to express your views, Bubz.…everything is welcome on ā€˜SWDB’, amigo…
After all, you make pick up on something that the rest of us companeros never have. :+1:

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It’s a Corbucci film so it was probably both :rofl:

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I just wanted to share the beautiful theme with you.

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This film is simply breathtaking. I wasn’t sure whether to revisit Django or this and I’m glad I picked this one. I don’t watch it as often as enough as some, so it’s easy to forget just how good it is. 5/5 every time!

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I liked the part with the snow

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