Love the Mercenary and Companeros.
But Quien Sabe, Tepepa, and Giu La Testa can actually be taken seriously.
Love the Mercenary and Companeros.
But Quien Sabe, Tepepa, and Giu La Testa can actually be taken seriously.
I think the technical quality of Tepepa is undeniable but, ultimately, I agree with Stanton. Tbh, I find it a little dull.
Good grief, Iām even in complete agreement as to his order of Zapata flicks.
I am shocked
Giu la testa has always been my favourite zapata spaghetti. The order of the others keeps changing.
I still think that Damiani would have been the better choice for the directorās chair.
Jesus F. Christ, what happened?
The Mercenary
Companeros
Quien sabe
Giu la testa
Tepepa
All of them are very good and itās really hard for me to put them in list of preference. I can only say that Companeros is the most entertaining for me.
Surely Iām not the only person who would put āDuck, You Sucker!ā first? After that itās āThe Mercenaryā and āCompanerosā for me. I think Iād then put āQuien Sabeā last after āTepepaā although I should probably re-watch them both.
Trust me, this is the right order
Could be!
The Mercenary
Companeros
Quien Sabe
Giu la Testa
Tepepa
Giu la testa is first on my list, too.
Youāre not alone. Even if I like the politics of some of the others more.
Waitā¦ āRun Man Runā is in the list now? That would change the bottom of my list.
This is getting way out of hand
fact is, Il Mercenario is the best, but thatās a different kinda thing, hehe
I actually agree entirely with your list if you move Quien Sabe? To the back. Iām going to make myself unpopular here by saying Iāve actually never liked it, although everything from the music, script and direction were great I thought Lou Castel played a boring character (forget his name), nowhere near as interesting as Sergei Kowalski or The Penguin, and even though Volonte gave a good performance El Chuncho wasnāt half as entertaining as Milian in Companeros or Indio and Brad Fletcher. I just donāt remember anything memorable about either of them.
For me itās
Actually that wasnāt intended to be a ranked list.
That would be:
Run, Man, Run is a different cup of tea, but would fit between # 4 and 5, but closer to # 4.
The # 2 - 4 are very close, have some faults, but also excellent stuff. I think I prefer Companeros for its brilliant action scenes, in that regard Duck you Sucker sucks.
[quote=āBill_Willer, post:194, topic:532, full:trueā]
Iām going to make myself unpopular here by saying Iāve actually never liked itā¦[/quote]
Actually Iāve always found Quien Sabe a little overrated for my tastes tooā¦ not that it is bad of course, just some people seem to enjoy it more than me.
I think the strongest scene is where he dictates his letter and that is used for some flashbacks to tell the story. Incredible storytelling for a spaghetti western. Amazing momentā¦
Biggest problem with Tepepa (apart from apatic Welles) is that its script was tampered with in attempt to make titular antihero some kind of romantic hero of the revolution which he was not intented to be in original Solinasā script. Off course the ending can be interpreted as āprint the legend, not the truthā, but I donāt think that was the idea and if Iām correct, Solinas admitted that he was not happy with the changes made to his script.
More of my older ramblings on this (and very interesting article they reference) can be found here: Go West, Comrade: Unearthing Politics in the Spaghetti Western - #7 by titoli
Nice to know Iām not the only one. I certainly donāt dislike it either because it does contain a lot of greatness but to me it fails when it comes to characters which I think are (with a few exceptions) the most important aspect of a film.
Which is what makes Quien sabe? better than most other Spags. They feel real, and Damiani makes some interesting stuff with them.
And thatās something Petroni is not really able to.