I’m keen to hear about her memories of working with british director Peter Collinson. She made 3 films with him that I am aware of (Up the Junction, Fright and Tomorrow Never Comes). Collinson made some interesting films here including The Italian Job but his work always seems to split opinion. His western, A Man Called Noon, is a perfect case in point.
Also, some of my favourite Susan George films are her earlier British ones. (All Neat in Black Stockings, The Strange Affair, Spring and Port Wine) I’d like to hear what she remembers of that ‘swinging sixties’ era in the British film industry.
Lastly, how she found adapting from child to adult acting.
That should do for me.