Yes, itâs Panoramico, so itâs 1,66:1, same format as Django or The Great Silence.
The english language version is shorter than the italian one, and the colors are much more faded. And concerning the picture quality, the word sharpness shouldnât be used (for my version).
Iâm not so exactly sure if this film is a great film, but a good one for sure, one with potential, made with ambitions.
After hearing so much good stuff about this - I stuck it on last night.
Excellent stuff ⌠the same crappy transfer but the film shone through. 3 great leads, particularly - as Bill pointed out - Corazzari as Scaife - makes a fantastic villain.
Top 20 - dunno, but could be maybe?
Yeah, a good print is needed.
âŚby referring to the Partizanâs struggle, Merolle most probably wanted to pay honour to his fellow Italians who, outraged and humiliated, finally stood up against the forces of evil.
This sounds like a rather politically correct description though, since it was only a tiny fraction of Italians who were partisans and were fighting the Germans and the Italian fascists.
They were communists and it was an ideological struggle more than a âfreedom fightâ.
[quote=âLindberg, post:29, topic:551â]âŚby referring to the Partizanâs struggle, Merolle most probably wanted to pay honour to his fellow Italians who, outraged and humiliated, finally stood up against the forces of evil.
This sounds like a rather politically correct description though, since it was only a tiny fraction of Italians who were partisans and were fighting the Germans and the Italian fascists.
They were communists and it was an ideological struggle more than a âfreedom fightâ.[/quote]
Yes and no; only a fraction were Partisans, but among those Italians fighting the fascists (not only the Germans, but also - even in the first place - the Italian fascists), were also catholics, liberals and socialists (in most countries the resistance movement counted members with these ideologies).
I guess you could say their fight in the period '43-'45 was mainly a âfreedom fightâ. It was an ideological struggle too, that is right, but it only became a real âcommunist struggleâ (commies against the rest) after De Gaspari had left the communists out of the government after the war. Most former partisans and left-wing intellectuals (among them people like Sollima and Corbucci), experienced this as a form of betrayal and felt that the âDe Gaspari governmentâ was too much a pro-American (pro-capitalist) government: they had accepted the Marshall Plan and their ideology was strickly anti-marxist.
I didnât want to sound âpolitically correctâ, but I canât explain all subtleties in a review.
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Have to agree with you there! When i started watching Swâs i always favoured Bruno Nicolai but De Masi is definitely my favourite these daysâŚhavenât heard one of his scores that i didnât like. Excellent film too!